On The Creation Of Intangible Cultural Heritage Documentary Blue And White Cloth

In recent years,the country has vigorously protected and inherited intangible cultural heritage.The report of the 20 th National Congress of the Communist Party of China proposes to inherit the excellent traditional Chinese culture and meet the growing spiritual and cultural needs of the people.Intangible cultural heritage is an important component of China’s excellent traditional culture,and it is crucial to make it "alive" and "popular" in order to enhance the influence of Chinese culture.Only by enabling more young people to understand intangible cultural heritage can it be better inherited and protected.Shandong Zaozhuang Blue and White Cloth Printing and Dyeing has a long history and is one of the first batch of national intangible cultural heritage expansion projects.The blue and white cloth printing and dyeing technique is the crystallization of the wisdom of ancient working people,and is an excellent traditional skill that has been continuously practiced and explored by people for thousands of years.Documentaries are an important means of documenting,disseminating,promoting,and protecting intangible cultural heritage.Because documentaries have their unique charm,which is objectivity and authenticity.The original work of the intangible cultural heritage documentary "BLUE AND WHITE CLOTH" takes Li Changping,the inheritor of the Li family’s blue and white cloth intangible cultural heritage in Nigou Town,Taierzhuang District,Zaozhuang City,Shandong Province,as the main thread.The documentary records handmade techniques such as blue grass planting,blue making,plate making,paste mixing,printing,dye reduction,immersion dyeing,paste removal,air drying,and the production of blue and white cloth.Combining commentary and character interviews,it enriches the content of the work and enhances its connotation,It is conducive to the dissemination,promotion,and record preservation of intangible cultural heritage blue and white cloth.After studying the creative process of intangible cultural heritage documentaries and relevant materials on blue and white cloth,this article takes the graduation work intangible cultural heritage documentary "BLUE AND WHITE CLOTH" as an example to conduct a detailed analysis of the audio-visual language in the creation of intangible cultural heritage documentaries.The article is mainly divided into four parts: Chapter 1Introduction mainly sorts out and elaborates on the development background of intangible cultural heritage blue and white cloth and intangible cultural heritage documentary films,the creative purpose and significance of the intangible cultural heritage documentary "BLUE AND WHITE CLOTH",the research status and shortcomings,the creative basis;The second chapter mainly elaborates on the establishment of the theme,structural setting,main content in the early stage,character selection,content shooting,sound recording in the middle stage,and material organization and editing in the later stage;Chapter 3 provides a detailed analysis of the intangible cultural heritage documentary "BLUE AND WHITE CLOTH" in terms of visual and auditory language,including lens,scenery,color tone,simultaneous sound,commentary,music,etc.,and compares the differences in visual and auditory language between intangible cultural heritage documentaries and other types of documentaries;Chapter 4 summarizes and reflects on the creation of the intangible cultural heritage documentary "BLUE AND WHITE CLOTH".Through the creation of the intangible cultural heritage documentary "BLUE AND WHITE CLOTH",we hope to bring certain value to the dissemination and inheritance of blue and white cloth in Zaozhuang,Shandong.We also hope that the presentation of the documentary "BLUE AND WHITE CLOTH" can provide some theoretical reference and practical experience for the creation of intangible cultural heritage inheritance documentaries.