A Study On The Relationship Between Zhou Mi Ci And His Note

Zhou Mi(1232-1298),with the name of Gongjin,the name of Caochuang,and the name of Bianyang Old Man,Sishui Qianfu,and Huabuzhu Mountain Man in his later years,is a native of Jinan,Shandong Province,and Wuxing,Zhejiang Province.Zhou Mi was an important poet in the last years of the Southern Song Dynasty and also a note-taker.The Complete Song Ci contains 153 poems,with a wide range of subjects and unique style.It also has notes such as Qi Dong Ye Yu,Yun Yan Guo Yan Lu,Cheng Huai Lu,Hao Ran Zhai Shi Ting Chao,Hao Ran Zhai Ya Tan,Zhi Ya Tang Za Chao,Wu Lin Jiu Shi,Gui Xin Za Shi,etc.,which are of rich historical value.Although the careful words and notes belong to two styles,they have a very close relationship with each other.Part of the content overlaps and complements each other.The works of words have obvious characteristics of notes.The notes contain a large number of ci literature and also reflect its ci thought.This paper takes the relationship between Zhou Mi Ci and his notes as the research object,and is roughly divided into the following parts:The introduction mainly explains the reason and significance of this topic,and combs the research status of the relationship between Zhou Mi Ci and his notes.The first chapter mainly discusses the overlapping and complementation of the well-written words and notes in the content.Zhou Mi’s poems and notes are rich in subject matter and rich in content.They contain not only detailed descriptions of natural landscapes and human landscapes,but also records and uses of secular customs,literary anecdotes,historical allusions,etc.,and also contain strong feelings of the people who left behind.Such complicated contents are either presented implicitly in the words,or explained briefly in the word order,or recorded in detail in the notes,which preserves a large number of cultural materials of the Song Dynasty,and shows the living conditions and complex mentality of the literati at the end of the Song Dynasty.Careful use of words to express emotion and draw scenery,recall the past,record things with notes,and review the past.The content is both coincident and complementary.The two complement each other and enrich the careful creation.The second chapter focuses on the characteristics of notes in Zhou Mi’s works.As the two most important literary styles,Ci and Notes bear the main tasks of lyricism,narration and scenery respectively,and learn from each other.Zhou Mi used the narrative techniques and descriptive techniques commonly used in the notes to fill in the words,adding the elements of scenery in the words,strengthening the narrative function of the words,and further deepening the emotional content of the words with the help of scenery description and event description,forming the unique artistic style of his words.In addition,there are a large number of word orders written carefully,either short or long,in any form,recording people and events,painting scenes and describing things,elegant sayings,which change with the text,with a strong note style attribute.Its complete and stable writing structure weakens the dependency relationship between the title order and the text of the word work,and can separate the word order from the word work and form an independent article.Careful word order is not only an extension of word writing,but also a supplement to notes.The third chapter mainly comments on the thought of Ci and literature value in Zhou Mi’s notes.Zhou Mi’s notes contain a wealth of ci-poetry documents,including ci-poetry activities,ci-poetry music and rhyme data,and ci-poetry quotations,which are of high value for collection and collation.They also show Zhou Mi’s ci-poetry thoughts to a certain extent,involving the harmony of music,the gorgeous and exquisite style view,the functional view of responding to songs,the lyrical and lyrical narration,and the creative view of keeping the law and tending to elegance,with rich connotations.