An Analysis Of The Creation Of Zhou Xianglin’s Da Jia Ye(For Da-liu-zi And Orchestra)

This article works of contemporary composer Zhou Xianglin’s Da Jia Ye(For Da-liu-zi and orchestra)is set as the research object,by the author studied composition has produced some confusion as a starting point,through the literature research,the score of study method and qualitative analysis,the study of the scientific method,to analysis and elaboration,the play his possessions and gain experience in the music creation.Zhou Xianglin,contemporary composer,director of Composition Department of Shanghai Conservatory of Music,chairman of Shanghai Musicians Association.He has created a large number of musical works,including vocal music,instrumental music,large band,opera and other themes.In recent years,he stands out especially in his works in the form of national instrumental music and symphony orchestra concerto,which is worth studying and studying.Completed in June 2011 and not yet published,Da Jia Ye was premiered in Shanghai Heluting Concert Hall.It is a work of national percussion and symphony orchestra,and is a major literary and artistic creation project of Shanghai.This paper is divided into three parts: introduction,text(a total of four chapters)and conclusion.In the introduction,the research significance,research status and research content are briefly summarized.In the conclusion,the research conclusion and research value are summarized.The body is divided into four chapters:The first chapter mainly introduces the basic overview of the composer,artistic achievements,creative ideas,as well as the basic overview and creative background of Da Jia Ye,as well as the formation and development,basic classification and performance techniques of the traditional folk percussion ensemble Da-liu-zi.Through the narration of these aspects,the author makes the most basic introduction to Da Jia Ye.The second chapter is a detailed analysis of Da Jia Ye.The author elaborates from many aspects,such as theme,motive,material and paragraphs,etc.The author points out that the song is a superposed multi-structure embedded in a multi-segment juxtaposition structure,that is,the multi-segment juxtaposition structure is the main multi-segment structure.Through the analysis of the orchestration,the timbre of the folk percussion orchestra and the symphony orchestra in the work is summarized into four basic combinations.In the last section,the author expounds the composition techniques adopted by composers based on different musical elements from the perspective of the basic elements of music.The third chapter is mainly about the revelation,from "play his possessions" solved the author on the relationship between "tradition" and "innovation",the relationship between "technique" and "nature","tradition" and the relationship between composition,"technique" and that the relationship between composition,and borrow Zhao Xiaosheng professor concluded: can’t.There must be no techniques.Cannot be techniques.The techniques does not follow the law.In the fourth chapter,the author briefly summarizes the influence on the creative thinking of his own work Random Thoughts of Yao Yuan,which is an attempt to apply theoretical experience to practice.The whole paper focuses on the doubts generated by the author since he learned composition,and analyzes and judges Da Jia Ye through modern music analysis methods and the profound philosophical thoughts in the Chinese traditional classic I Ching,in order to find the composing experience and gain the creative passion.