| As a community of social life,countryside carries the memory of several generations.In the process of promoting rural revitalization in an all-round way,how to condense rural complex,continue rural culture and keep the root of rural memory has become a problem that cannot be ignored.Documentaries,with their unique audio-visual advantages,have gradually become the core tool for people to reconstruct memory,and the countryside itself also has the creation context and conditions of memory.Many creators of rural documentaries choose to rely on the perspective of memory and use images in line with the communication context of the new era to deeply describe the forgotten rural collective memory.The subject of memory can realize the construction of identity in the interaction of local emotion,so as to inherit and continue the rural cultural wealth.Local memory also uses the power of documentary to travel through time and space,so as to re-establish the connection between the subject of memory and the object.Based on the theory of memory,this paper takes rural theme documentary and personal graduation work "Hometown Encounter" as the research object,analyzes the internal relationship between rural theme documentary and memory construction,and focuses on combining the graduation work "Hometown Encounter" to study the construction content of rural memory in rural theme documentary and the presentation of audio-visual elements of memory content in rural theme documentary.Based on extensive reading of relevant literature,this paper takes the memory theory as the theoretical basis,and through the creation analysis of some excellent rural documentaries and the creation practice of graduation work "Hometown Encounter",discusses the content construction,image presentation and expression of rural memory in rural documentaries.In the construction of rural memory,such cultural memory symbols as farming culture,traditional folk skills,ancient village architecture and collective memory of rural emotions of generations all provide productive forces for the image content.The process of the image production showed the new look of countryside in the new era of our country,awakening cultural memory of the countryside of generations,and reconstructing and continuing rural collective memory.This paper is divided into four chapters.The first chapter is a theoretical overview,which systematically combs the theoretical basis and research basis of the paper.The last three chapters focus on combining the creation practice of graduation work "Encounter in the Countryside",and analyze the construction content of rural memory in the documentary of rural theme,as well as the image presentation and expression ways.The second chapter,focusing on the contents of memory construction,summarizes and analyzes rural cultural memory and collective memory,event memory and emotional memory,rural media memory and other different contents.For example,the granary site in "Encounter in the Countryside" and traditional folk skills in Sishui County reflect rural cultural memory and collective memory.Event memory and emotional memory are covered in the stories of young people returning home to start businesses,rural agriculture and the new changes of farmers.The third chapter focuses on the image presentation mode of the contents of rural memory and analyzes it from two aspects: lens language and light language.For example,story-oriented lens language makes memory symbols figurative and can reproduce the picture of rural memory,while artistic light and shadow language reshapes the visual beauty of rural memory.The fourth chapter focuses on analyzing the functions and expressions of the simultaneous sound and voiceover,for example,the simultaneous sound can trigger the empathy point of memory and awaken the rural cognition of different audiences,while the voiceover can construct the rural memory situation and trigger the resonance of memory.The rational use of the two makes the whole documentary more emotional and artistic expression. |
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