Research On Jueluo Chong’en’s Calligraphic View

As a famous Manchu poet,collector and calligrapher in the middle and late Qing Dynasty,Jueluo Chongen,who has been deeply influenced by traditional Chinese Confucian culture since childhood,made remarkable achievements in calligraphy art.However,at present,there is infrequent research in the academic community on Jueluo Chongen’s calligraphy,especially in the exploration of his calligraphy concept.The main purpose of this article is to study JueLuo Chongen’s view of calligraphy,focusing on the disclosure of the specific connotation of Chongen’s view of calligraphy.This article is divided into three parts:The first part mainly shows Chongen’s unique national identity and its identity with Han culture.At the same time,it explores the origin of the formation of Chong’en’s calligraphy concept——the noble identity of Paiyan Tianhuang provides the necessary material guarantee for his calligraphy collection activities;good family education and profound culture cultivation is the nutritional reserve of his calligraphy learning;the edification with cultural elites is the driving force for the formation of his calligraphy concept;the second part is mainly to deeply explore the specific connotation of Chongen’s calligraphy concept,and analyze the calligraphy creation practice under the influence of his calligraphy view;the third part focuses on the enlightenment of Chongen’s calligraphy concept to the present literary world and affirms the reference function of Chongen’s calligraphy concept to the present literary world.