A Brief Analysis Of The Style Of Mozart’s Operas And Tenor Vocal Characteristics

Mozart’s arias are essential voice training materials in the tenor learning process.The opera "Abduction from the Harem"(Die Entführung aus dem Serail,1782)was funded by Mozart’s emperor Joseph II(Joseph II,1741-1790)in response to his The first German-language comic opera written to encourage German-language writing.The training of vocal music pays attention to its objectivity and scientificity.The instructor often talks about the singer’s singing track from the light works of the classical period to the period of the three masters of bel canto(that is,Rossini,Donizetti,Bellini,etc..)to Verdi and Puccini,etc.The choice of works is most suitable from light to heavy according to age.The music in the classical period is more rigorous and standardized.In Europe,people often call Mozart’s works "the school of sound".Therefore,everyone generally affirmed that singing these songs is very conducive to the training and stability of vocal music.In this article,the author chooses to start from the perspective of the opera "Die Entführung aus dem Serail",first briefly introduces the creation background,character relationship,and role analysis of the opera,and then extracts two important tenor arias-"Hier soll ich dich denn sehen" and "Konstanze,dich wiederzusehen" specifically analyze the music style and the voice required for singing,and finally discuss with the author’s usual study and experience,combined with the singing style of Chinese vocal works and the required voice method,Talking about how to make use of these foreign aria vocalization methods,to use foreign arias for China,and to provide some references for singing Chinese vocal works.