Debussy On The Late Romantic Music Language "Imaginary" Technique Research

As a famous French composer in the 19 th century,Debussy insisted on his unique understanding of music in the late Romantic period and worked hard for it,and finally formed his own impressionist music with unique music style.The creation of impressionist music style provides a powerful source of thought for the creation of modern music in the 20 th century.As a composer connecting the preceding and the following,his unique music creation technique at that time is very worthy of our study,study and exploration even now.The text of this thesis is divided into three parts.The first part will introduce his creative ideas,Debussy "virtualizes" the strong social function,philosophy and other profound meaning given to music by late Romanticism,and believes that music is a pure art.Second,in terms of the driving force of music development,he uses the weak driving force in the longitudinal pitch and horizontal time to "blur" the driving force and structure of music development,forming a scattered,flowing,free and diffuse form of music.Third,in the aspect of musical sound form,he "broke away" from the inherent musical thoughts and expressions of the late romantic music style,and made his music sound with strong impressionistic color through a large number of creative methods such as the use of weak force and the redistribution of the role of the band.Fourth,in the aspect of historical significance,Debussy’s music language "imaginary technique" not only achieved his own unique music style,but also has an important role in contemporary music creation;In the process of my creative practice,I have tried many times to apply Debussy’s music language "imaginary" technique to my own works;This paper analyzes the application of "vacuity" technique in some pieces of my works in order to attract jade.This paper focuses on the above core views in detail.