From "Carnival" To "Mom!

"Mother-daughter relationship" is an unavoidable and important topic in feminist research,and with the prevalence of feminist thought,film and television works also focus on it.In recent years,many domestic women’s films have frequently written about the mother-daughter relationship and attracted much attention,and people have begun to re-examine this intimate relationship.This paper places the research points on the "mother-daughter relationship" in domestic women’s films from 2017 to 2022,and summarizes and summarizes this type of film through a large number of film examples.From the classification of mother-daughter relationship forms to the image construction of women with the three different identities of mother,wife and daughter,to the exploration of communication strategies at the image level,it is more and more evidence-based for future creators in this genre.The oppression and discipline of women in patriarchal society is the focus of women’s issues,and at the same time,the reflection on the relationship between mother and daughter also returns the perspective to women.In the existing creation,it is not difficult to find that the underlying logic of "misogyny" in a large number of works is suspended,and the crux of this problem cannot be ignored,and at the same time calls on creators to create more comprehensive and in-depth women’s films.In addition,this article also discusses the creation and elaboration of the author’s graduation work "Allergy",which is closely related to the topic of women discussed in this article,and intertexts the theory with practice.