| As the "painting eye" in shanshui painting,the point scene of the figure plays a non-negligible role in presenting the realm of "swimable","desirable" and "livable" in shanshui painting,and as a key factor to highlight the value of the figure.The combination of single or different house combinations,tree species arrangement,bridge returning to boat and other objects reflects the natural relationship of harmony between man and nature and the inseparable relationship between man and nature pursued by traditional Chinese shanshui painting.In this paper,the starting point of the Yuan Dynasty seclusion theme shanshui painting,through the historical background of the seclusion theme shanshui painting of the development of the process of the figure of the seclusion theme shanshui painting in the background of the dynasty,the functional expression of the figure of the seclusion theme shanshui painting in the painting.Among them,it mainly studies the importance of the figures’ clothing,accessories and quantity of the figures’ groups and individuals’ atmosphere and feelings expressed in the painting to the construction of the artistic conception of the picture,and points out that the figures’ clothing and quantity and other objects in the painting under the background of this theme should be adapted to the theme and have relations with each other.Different from other dissertations,My research topic is not limited to the surface reflection of the figure point scene in the theme of seclusion(such as the classification of identity)or the simple humanistic connotation of the figure point scene,but more important is the point of contact between them(I selected some representative works of influential painters,but did not include some less influential painters).I want to explore the point scene of each painter To grasp the style of the point scene figures in this theme and to provide new ideas and choices for future creation. |
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