Sophisticated Common Customs: The Elegant Pursuit Of The Gentry Group Is Shown In The Stone Carvings Of The Song Tomb In Luxian County

The Song Dynasty is another heyday of the development of tomb art after the Han and Tang Dynasties,the tomb shape system tends to be stable during this period,although the tomb space is mostly small tombs,but the tomb decoration image is extremely complicated,not only absorbing foreign culture,but also retaining more local cultural traditions,Luxian is in such an environment to form a large-scale tomb group.The owners of the Song tombs in Luxian County are mostly gentry groups,but the theme of "incense,flowers,wine,and tea" engraved in the tombs is often found in the daily elegance of the Song Dynasty literati.Therefore,this paper takes 19 complete Song tombs and some scattered stone carvings excavated in Luxian area as research objects,and on the basis of the interpretation of these four kinds of elegant images,analyzes the relationship between the tomb owner and the burial chamber space,images and real life,and explores the pursuit of elegance by the gentry group in Luxian County.First of all,the article examines the shape system and behavior of the utensils in the Yaqu images,and believes that these images are the most intuitive expression of the hedonistic life of the gentry group,reflecting the pleasure and pursuit of the gentry life in luxian area of the Song Dynasty.Secondly,the known complete tombs and mutilated tombs are sorted out,and the real burial space is constructed on this basis,and the viewing position and viewing method of the gentry as the tomb owner in the tomb are restored.Then,through the analysis of the burial space,the performance of his daily behavior before his death is reflected,and he returns from the object to the real elegant behavior.The elegant life reflected in the stone carvings is related to the retro fashion of this period and the relatively stable and rich economic environment of Luxian County,the reasons and purposes behind Shangya’s behavior are analyzed,and the social landscape from the perspective of the gentry group in Luxian County in the Song Dynasty is discussed.Finally,the image is returned to the burial chamber,the Buddhist Concept behind it is analyzed,and the regional characteristics and causes of the concept of filial piety are explored.In summary,the elegant images such as "incense,flowers,wine,and tea" in the stone carvings of the Song tombs in Luxian County reflect the imitation of the literati by the gentry group in this period,and the gentry place themselves in the tomb to enjoy themselves,reflecting the ultimate pursuit of material and cultural life by the luxian folk gentry group at the time of the social changes of the two Song Dynasties.The owner of the tomb hopes to bring the rich life and beautiful expectations enjoyed by the living into the underground world through the construction of the tomb,and it is also a wish for the blessings of the living.