Migrant Workers Are Like Tide,Father’s Love Is Like Mountain

This paper includes three parts: theoretical research,creative practice and summary and prospect.Through the analysis of the relevant works and literature on the creation of migrant workers’ ceramic sculptures,it is found that the art form combining "peasant workers’ theme" and "ceramic sculpture" has the advantages of certain practical significance and value.At the same time,from the perspective of art creators,it analyzes the content and form of relevant art works,and believes that art creation is a rule to follow.’s creation.The first part,based on sociological and aesthetic research,analyzes the value and significance of the creation of migrant workers’ ceramic sculptures.1.Clarify the concept and scope of "peasant workers",analyze the situation of "peasant workers" in many countries according to social phenomena,and demonstrate the universality of the theme of migrant workers in artistic creation.2.From the perspectives of humanistic care and personal emotion,form exploration and material language,explore the value and significance of the creation of migrant worker-themed ceramic sculptures.3.According to the current situation of migrant workers’ theme works and the development of ceramic sculpture creation,put forward the "absence" of migrant workers’ theme ceramic sculpture creation.4.Combined with related works,analyze the realistic value and significance of migrant workers’ theme creation from the perspective of content and form,and summarize the practical methods of migrant workers’ theme ceramic sculpture creation.The second part,from the perspective of theme thought and creative form,sorts out the author’s research and creative practice.1.From the four parts of "Father’s Identity","Left-behind Childhood","Emotional Carrier" and "Luggage Symbol",this paper expounds the creative reasons and thoughts and emotions of the ceramic sculpture "Father’s Luggage".2.analyze the content and form of the four groups of ceramic sculpture works in "Father’s Luggage",analyze the change of creative thinking from the theme and emotion,and analyze the process of generating the "woven bag" symbol from the expression form,formal language,and creative process.The third part is the conclusion and outlook.1.Summarize the practical experience in the creation of the series "Father’s Luggage",and reflect on the author’s deficiencies in the research on the content and form of the creation of the theme of migrant workers.2.Explain the creative ideas of the follow-up ceramic sculpture with the theme of migrant workers,and the prospect of further research and creation of this theme in the future.Judging from the existing creative practice,the creation of migrant workers-themed ceramic sculptures based on humanistic care will make more people pay attention to the thoughts and emotions of the grassroots laborers,and at the same time reflect the sense of social responsibility of art creators."Father’s Luggage" series of ceramic sculpture creations with the theme of migrant workers,using woven bags as a carrier to convey my father’s care for the author.There is still a lot of creative space for the creation of thematic ceramic sculptures in terms of thoughts,emotions and themes.