The Study On The Village Writing Of Alai’s Yunzhong Ji

Since the new century,in the new context of social transformation,modernization and reconstruction of ethnic culture,Alai,a Sichuan writer,has been dedicated to writing about the survival and culture of the Tibetan people in a multi-dimensional and multi-level way.The writer uses border villages far away from Central Plains as the object and presents primitive natural form,cultural life,and custom memories of the village with rich natural images and cultural images.The historical silhouette of the changes in villages and cultural transformation in the trend of the agency has shown profound thinking of the writer’s current situation of ethnic traditional culture and provided new experience for the writing and cultural roots of the village of literature in the new era.This paper is divided into the following four parts:The first part is the historical evolution of village and village writing.As the basic unit for the survival of peasant groups,villages have a stable way of production and life and a specific natural composition and cultural characteristics,which is an important part of modern and contemporary novel writing.This chapter not only clarifies the concept of village,but also traces the village writing in modern and contemporary literature from the two stages of modern literature and contemporary literature,constructs a suitable system framework for the village writing in Yunzhong Ji from the perspective of literary history,and combs the inheritance and innovation of writers in village writing.The second part is ecology and ethnic group: the literary mirror image of the pre-modern village.The village is the objective carrier of Yunzhong Ji,carrying many traces of the natural environment and ethnic culture.From the different dimensions of natural ecology,social culture and the custom history,we can restore the natural image,the space architecture and cultural customs of pre-modern villages,showing the physical village in the ecological field of vision and the mysterious and rich ethnic cultural landscape.The third part is tradition and modernity: village writing in the process of modernization.Looking at the village writing in Yunzhong Ji from the perspective of modernity,we can sort out the details of village changes in cultural transformation from three dimensions: realistic dimension,spiritual dimension and cultural dimension,and reproduce the fission of village and ethnic culture under the impact of other cultures in the dynamic game between tradition and modernity.As well as the memories of the writers caused by the writer,the thinking of the collision of the village and the city,and the reflection on the survival of the Tibetan people.The fourth part is structure and method: village narrative strategies in the perspective of modernity.The narrative of "The Story of Yunzhong Ji has achieved a holistic breakthrough at the structural and methodological levels.With the help of the intertwined narrative structure of time and space,the musically polyphonic narration of events,and the imagery narration of combining movement and static,the writer constantly embeds the rich content of the culture,history,life,destiny,and changes of his own ethnic group in the village writing.This narrative strategy that combines ethnicity and modernity has formed the unique esthetic expression of Yunzhong Ji.Finally,in the conclusion part,the thesis summarizes the significance and value of the village writing in Alai’s Yunzhong Ji as a whole,and believes that the village writing in the novel restores the details and trajectory of ethnic cultural changes during the cultural transformation.Through the rise and decline of a village in Jiarong Tibetan region,it presents various changes and difficult searches of people and culture under the influence of the trend of the times.The writer carries out village writing in the perspective of modernity,and carries out cultural reflection while returning home spiritually.In the writing of Tibetan villages,he observes the fate and situation of traditional Chinese villages under the conflict between tradition and modernity,highlighting the writer’s reflection on the traditional situation of ethnic culture and his efforts to break through cultural barriers.