The Research On Huang Daozhou’ Small Regular Script Of Fix Version Of The Filial Piety

The small regular script experienced the development of many calligraphers,such as Zhong Yao,Wang Xizhi,and Wang Xianzhi in the Wei and Jin Dynasties,Zhong Shaojing in the Tang Dynasty,Zhao Mengfu in the Yuan Dynasty,Wu men calligraphy school in the Ming Dynasty and so on,forming a grand scene,leaving gorgeous treasures for later generations.Huang Daozhou was a great Confucian in the late Ming Dynasty.He was an official to the Ministry of officials.His was firm.For example,he would rather die than surrender after the fall of Qing Dynasty,and finally killed himself into benevolence;He wrote a lot of calligraphy works in his life,including Poem,Book,Rite,Change and Spring and Autumn;He has made high achievements in calligraphy and painting.There still exist many kinds of calligraphy and painting works which are rich in styles.Huang Daozhou’s small regular script is not limited to the carving of "gorgeous" and "exquisite",and based on the grasp of the grandeur.His achievements have been unparalleled since the Ming Dynasty.There are two main styles of small regular script:“beautiful and exquisite” and “simple and ancient”.Huang Daozhou combines cleverness with clumsiness,which eventually comes to a beautiful and deep level,and reaches the realm of unintentional beauty.Fixed Version of the Filial Piety written in small regular script by Huang Daozhou is the collation and extension of the Filial Piety.He wrote many copies of the Filial Piety in prison,including 40 copies of the fixed version,which is not only a self redemption of humiliating relatives,but also an act of written advice.Based on the Fixed Version of the Filial Piety written by Huang Daozhou in prison after he suffered the disaster of the Ting Zhang,this paper will probe into the relationship between his loyalty,filial piety and righteousness and his elegant and profound calligraphy style.Since ancient times,there has been the concept that words are the voice of the heart and calligraphy is the painting of the heart.Huang Daozhou has always pursued loyalty and filial piety as the code of conduct all his life,and remains still until he kills himself into benevolence,which is also reflected in his calligraphy works.This paper will trace the origin of the selected method of the Fixed Version of the Filial Piety,and then come to the conclusion that Huang Daozhou has studied and innovated the calligraphy of the Wei and Jin Dynasties in an in-depth way according to his own comments and the comparison with the historical materials;The paper will also compare his representative calligraphy works in different periods with the Fixed Version of the Filial Piety,focusing on the causes,characteristics and influence of Huang Daozhou’s calligraphy style.By these,we can explore the evolution of the calligraphy style of Huang Daozhou.Through the analysis of these changes,we can have a deeper understanding of the charm of the calligraphy of Huang Daozhou.In the actual creation,I try to graft and blend the vigor and elegance of Huang Daozhou with my original calligraphy style of Ming Dynasty.After a lot of copying and conversion,I find that this is a road worthy of exploring and pursuing.Although there are still many deficiencies in the actual creative process,this is a very useful attempt in the process of learning.Through the in-depth study,I have a deeper and better understanding of the primitive and simple style of calligraphy,which is of great help to broaden my creative horizon,and provides a lot of significant references for my future creation.