On the Eurasian steppe,the exchanges between eastern and western civilizations,nomadic and farming,migration and war,as well as changes in cultural and religious beliefs have created unique animal sculpture art.The content of these animal sculptures is close to life,and the forms of expression such as stone carving,wood carving and gold ware are matchless.This topic tries to start from the history and modeling characteristics of animal and figure sculpture under nomadic culture.Taking deer stone,stone man and Skitai gold sculpture as examples,the content of the works is investigated,and the information of the time background,religious culture,social economy and other information of the works is investigated,and the depth of research is explored.The animal art of these nomadic ethnic groups embodies the significance of nomad,myth and life.These sculptures depicting livestock,prey,survival and destruction embody the concept of life on the prairie,the eternal battle for survival.After the Russian sculptor Dashi.Namdakov’s sculptures,for example,are studied with the method of iconology by observing the formal structure of the appearance of artistic works,such as color,line,structure,composition,symbol.Continue with its related religious beliefs,fables to find the connection between art works and the trend of The Times,and further make a systematic explanation of the inherent meaning and content,cultural representation and symbolic history of art works.It also transfers the research attention to the transformation of such traditional resources in the contemporary context,and summarizes the world outlook,humanistic thoughts and the significance of The Times expressed by the sculpture works under the nomadic culture.It can be inspired from this ancient sculpture art with unique ethnic aesthetic characteristics,enrich the creation form of modern and contemporary sculpture art,and more effectively connect traditional culture with contemporary realistic problems.Keeping local in the era of globalization and absorbing nutrition from history and regional unique art is of great practical significance to the development of contemporary sculpture. |