Research On Zhai Yunsheng’s Calligraphy Learning

In the middle and late Qing Dynasty,Shandong produced a large number of famous scholars proficient in the science of gold and stone and philology because of the rich cultural relics of gold and stone,and "the study of Mountain Left" became an important academic school at that time.Most of the masters of this school are also good at academics and calligraphy,among which Zhai Yunsheng,a philologist and calligrapher who was active in the Qianlong and Jiaqing dynasties,is one who made important contributions and had an important influence.Zhai Yunsheng’s achievements in calligraphy are mainly reflected in the creation of official script.The situation of the Qing Dynasty official script revival was prosperous.He directly inherited the mantle of GUI Fu and faithfully inherited the new style of official script created by GUI Fu.It became the most unique and far-reaching school of official script in the Qing Dynasty,until today.Zhai Yunsheng,influenced by Guifu’s education and hobbies,was able to integrate his elegant temperament as a scholar with the rich style of official calligraphy.This style was for a long time the main composition style of official writing in Shanzuo,and even the whole country,which is second to those created by Deng Shiru and Zheng Fu.In the aspect of writing,he was influenced by the Shanzuo scholars at that time.He took Yan Zhenqing’s calligraphy as the rule,andcreated a new appearance of thick,abrupt and elegant countenance,which had an important influence on the Shanzuo calligraphers at that time and became a vogue.Primary schools were developed in the Qing Dynasty,and many primary school works on seal and official script were often included in the books.Zhai Yunsheng in the book study,often combined with primary school.This is also a feature of his bibliography.In the study of seal script,he refined the Shuo Wen Jie Zi,Shuo Wen Discriminating differences and other three handed down.His "said Wen" study,and is the division of Guifu’s "said Wen" study purview is different,mainly in the discrimination of genre,under the guise of all,so as to invent the character.This laid the foundation for the correct use of the character by seal calligraphers at that time and later.His achievements in the study of official script,more later scholars Yan Yan.Li Essay,the most comprehensive collection of data and the most rigorous research style,represents the achievements of the study of official script in the Qing Dynasty,and is the most important work in this field from the Song Dynasty to the Qing Dynasty.This thesis also discusses the gains and losses of clerical script research in the Qing Dynasty and Zhai Yunsheng’s contribution to it.Because Zhai Yunsheng lived in seclusiveness for a long time,his works and creations were lost in shadows for a long time,which greatly affected the value orientation of academic history and calligraphy history to him.This thesis is a research article,hoping to supplement a small blank in academic history.The thesis is mainly divided into five parts.The "Introduction" part mainly introduces the origin of the research,the significance of the topic selection,the current situation of the research and the method of the research,and points out the contribution of Zhai Yunsheng in the creation of clerical script in the Qing Dynasty,but there are no relevant studies,so this study has the role of pioneering significance and filling the blank.The first chapter,"Zhai Yunsheng’s bibliography Background",mainly introduces from three aspects,namely,the Qing Dynasty official script revival,the Qing Dynasty’s Jinshi science developed,"Shanzuo academic prosperity".The development of Pu learning in Qing Dynasty led to the study of gold and stone science,and then promoted the revival of seal and official script creation.In such a strong atmosphere,Shandong attracted scholars from all over the country to visit and carry out academic research because of its rich resources of stone and stone culture.This formed a very important branch of the Qianjia school--the study of Shan Zuo.Zhai Yunsheng coincided with its meeting,deeply influenced by the study of mountain left.His academic research and calligraphy creation are all marked by the study of mountain left.The second chapter,"Zhai Yunsheng’s Life and Friends",mainly according to the local records of his hidden life.Based on the collection of his poems and the records of related scholars,the author studies his learning and receiving,academic origin and the intercourse of his teachers and friends.The third chapter "Zhai Yunsheng’s philology research",mainly divided into two parts.The first part discusses Zhai Yunsheng’s study of "speaking literature".He was deeply influenced by Guifu,but the method and purview of "say literature" is not the same as the teacher.His focus was to "invent the original character" to provide accurate evidence for calligraphers to write seal characters.The second part discusses Zhai Yunsheng’s official script study.Li Zhang,written by him,is one of the most complete literary works since the Song Dynasty and the Qing Dynasty,which provided a trustworthy character model for the Qing people to learn official script.Under the conditions of that time,he collected the most extensive Han Dynasty monument original Tuo,from the original Tuo double Gou official character,as the object of imitation later,so the Li Essay collected the font and style most close to the original monument.In addition,he also tried to reveal the pretence of the characters used in official script,marking the characters one by one.Judging from his works on "Shuo literature" and official script studies,his research on seal characters and official script was actually for the service of calligraphy creation.We put his study of philology in the category of book study,it is reasonable.The fourth chapter "Zhai Yunsheng’s calligraphy",mainly divided into two parts.The first part studies his official script creation and style.His official script set the length of the Han tablet,and directly inherited the mantle of GUI Fu,so to create a vigorous Qiu embellish,Zhengda elegant personal style,became a Qing Dynasty official script creation can not be ignored.However,his official script creation was criticized in the early Republic of China.The second part studies his writing style and writing style.His calligraphy was influenced by He Shaoji,Xu Han and others,on Yan Zhenqing calligraphy under the deep kung fu,is the Qing Dynasty mountain left to learn Yan faction of the strong.His running script is rooted in the "Manuscript of Offering Homage to the nephew","Post for the Seat",etc.,which is just in the Qing Dynasty,and perfectly coordinates with his official script style.His exploration on the creation of official script and running script has a good enlightenment on how to carry on the creative transformation and innovative development of the outstanding traditional culture today.This is also the significance of our study of Zhai Yunsheng’s calligraphy.