Research On Feng Yan’s Poetry

In the 1980 s,Feng Yan opened the door to the kingdom of poetry with lyrical poetry.After experiencing a brief silence in the 1990 s,since the new century,Feng Yan has entered a new stage of intellectual writing,attempting to complete the transformation of emotion and philosophy in poetry through language experiments.This paper aims to take a holistic look at the three aspects that constitute Feng Yan’s difficult writing--emotion,philosophy,and language,appreciate the construction of the emotional world in poetry,examine the philosophical concepts in poetry,analyze the exploration of language forms in poetry,and further explore the value and significance of Feng Yan’s poetry in modern Chinese new poetry.The first chapter analyzes the construction of the emotional world in Feng Yan’s poetry texts.To gain insight into the emotional appeals in love poetry and life poetry,and further explore how Feng Yan constructed them through spiritual experience.In her writing of love,Feng Yan condenses her emotions into two states: "expectation" and "loss",which is also a way for her to inquire about life.In the process of pursuing the idealized form of love,Feng Yan was hindered by various hardships in reality,and the anxiety and confusion formed by this led to her exploration of life phenomena.Therefore,Feng Yan borrowed the two scene dimensions of nature and history to place individual life within them,carefully analyzing the texture and changing process of life.In addition,Feng Yan constructs her emotional world through spiritual experience.The lingering melancholy in her poetry comes from her lack of experience,and the rich experience in her growth broadens her horizons.At the same time,she is keen on psychoanalysis of herself.The second chapter analyzes the philosophical thinking in Feng Yan’s poetry texts.The main performance is a creative attitude of keen thinking.After entering the stage of "middle-aged writing",Feng Yan exercised self-control under rational observation,and at the same time expressed personalized spiritual connotations in his poetry with "ultra gender awareness";To incorporate philosophical concepts into the poetic content of poetry is to reflect on the relationship between "reality" and "virtual" in modern technological society,and to explore the relationship between "time and space" and "human";Influenced by the philosophy of language,he grasps the relationship between poetry and language from a philosophical perspective,endowing words with ontological status in poetry,and at the same time deeply exploring unknown areas that have not yet been named by language,experiencing the mystery of "unspeakable".The third chapter restores the path of exploring linguistic forms in Feng Yan’s poetic texts.It mainly starts from three aspects: the analysis of word meaning and grammatical structure,the sorting out of image groups,and the interpretation of viewpoint and person.In terms of word meaning and grammatical structure,compared to the referential function of words,the referential function of words is amplified,and poetry presents a chaotic grammatical structure,all of which are intended to break the conventional connection between experience and reality.In terms of sorting out the image group,Feng Yan’s criterion for selecting the image as an objective counterpart is to present a large number of morphs in the form of synaesthesia based on his own experience.In terms of perspective and person,Feng Yan lives in the "I You" world constructed by the existentialist philosopher Martin Buber,who presents the emergence of value and meaning in relationships.In some poetry texts,Feng Yan deals with the characters and scenes in her poetry as a bystander.