| This article discusses the visual phenomena of "hun-tun" and "Lichtung",and realizes the neglect of the hidden part of the covered things in the process of painting,and the degradation of perception under the cover of the image era,will "sein" and”explicit-imlicit” The two-sided concept of "harmony" is the dispute between objects,which is introduced into the painting creation,and combined with personal creation,to explore the embodiment of the realm of Lichtung in the "Mist Prelude" series of works.The text is divided into three parts: the first part discusses the conceptual sources of "hun-tun" and "Lichtung" in painting and the interrelationship between the two sides of the sein of objects;In terms of the relationship between reality and reality,the virtual and real relationship of the picture,and the handling of lines and light colors,it explores its application in "hun-tun" and "Lichtung";the third part discusses the personal creative conception,creative process and explains in the "Mist Prelude" series,The influence and specific application of the realm of Lichtung on the picture. |