| Yuediao,also known as the four-stranded string,as an ancient local opera genre in Henan Province,has a certain influence in the country,and in 2006 Yuediao was included in the first batch of national intangible cultural heritage list.Henan Yuediao Shen School art is a result of the transformation of Henan Yuediao,a regional opera genre,into a performing artist opera school.Shen Fengmei is a famous master of Vietnamese tune in China,Shen School singing voice because of its unique artistic charm,sought after and sung by the masses,Shen Fengmei’s appearance is a great blessing in the art of Yuediao,she not only makes the actress have a broader interpretation space on the Vietnamese tuning stage,but also extends the life of this art.After Shen Fengmei’s reform,the art of Henan Yuediao Shen School sings exquisitely,with a strong local atmosphere,singing in a spicy and bold voice,high-pitched and agitated,and Shen School boldly absorbs the essence of sister arts,skillfully uses laughter and singing skills,uses emotions to convey emotions,conveys love with words,and serves props to keep pace with the times,the performance is stable and rigorous,and the elegant and common people appreciate it.Based on the research horizons of art history,art anthropology and aesthetics,this paper takes the art of Henan Yuediao Shen School as the main research object,and explores its artistic aesthetic characteristics and inheritance transmutation.The first chapter of this paper mainly introduces the origin and development process of Henan Yuediao and Shen School art,the geographical distribution and genre division of Yuediao,the social function of Shen School art entertainment and education,and the inheritance and development status of Shen School art and its troupes.The second chapter is about the exploration of the characteristics of Shen School art and music,mainly taking Master Shen Fengmei as an example,from the three aspects of bold and simple singing voice,rich and diverse accompaniment music characteristics,simple and natural musical language beauty,to explore the unique charm of Shen School art music.In particular,through the unique moisturizing characteristics,ingenious laughing and singing skills,moving aesthetic characteristics,flexible and distinct melodic progression,with strong regional color of the rhyme and the content of the soft singing style,the music,singing style and aesthetic characteristics of Shen School art are discussed,showing the bold and simple style and charm of Shen School.The third chapter mainly discusses the stage performance characteristics of Shen School art,and the author takes the role of Zhuge Liang as an example to discuss the differences and details of Zhuge Liang’s image shaping at different ages from the aspects of singing voice,performance method and dress,and discusses the beauty of Shen School art role shaping.It is also pointed out that Shen School art has a strong learning ability,and it is precisely because of the strength of hundreds of schools that it has reached its peak;Chinese art pursues divine likeness and artistic conception,and this chapter analyzes the performance and interpretation of Shen School art in combination with specific roles and repertoire performances.The script is also an important part of opera,and the final chapter explores the theme and character shaping of new historical dramas since the new period through specific plays,and discusses the development and innovation of modern opera,as well as the limitations and problems it faces.Chapter 4 is the inheritance and transmutation of Henan Yuediao Shen School art,this part mainly expounds the changes and refinement of Shen School art from its music,actresses on stage,singing standards,completion of the profession,inheritance and protection,etc.,and understands the efforts made by the old artists to make Henan Yuediao Shen Schoolart rejuvenate in the long river of history. |
PDF Full Text Request