One Hundred Years Of Ups AndDowns

During the 20TH century, Traditional China is staggering to pursue modernization. Most of the arts, like Chinese traditional opera and Chinese painting with old Chinese characteristics are undergoing a kind of reluctant and active revolution. City, intellectuals, women, revolution, movies, roles "modernization" and "traditional dramatization" are several important cultural symbols of the twentieth century. How is it going on when the ancient local opera - Henan theater suffered this revolution?The dissertation is divided into seven chapters. Introduction section focuses on the study of the origin of the Henan Yuediao, which concludes that it is a kind for folk opera belonging to Xiansuo chamber system and then develops into "a kind of drama between the Bangzi and the Pihuang". The first chapter examines Yuediao in the development of Henan in the period of Republic of China, from intellectuals, city, such as female narrative. "Exterior arrival and women play" era "Theater", adjust the body back to the great changes. Synchronization and its evolution, Yuediao is always facing the province Bangzi strong rise to the crisis of survival. While, the missing of urban and intellectuals, is an important reason for its decline. The second chapter shifts to study the major group change of Yuediao’ position from the perspective of "performing", which is the catalyst for it to fight for of rectifying the name and transforming. Meanwhile, the major group concern and acknowledgment on the performing of Yuediao of East of Henan starts to be the spoke person of Yuediao in New China. The third chapter discusses the process of how Yuediao steps to the grand stage from locally folk theater as the stimulating of the national film policy, the author thought movies not only expand the influence of Henan Yuediao, but also prompted it further towards the refinement. The fourth chapter discussed the creation of Henan Yuediao in the new ear from the perspectives of "modernization". It involves the advanced exploration and return brought by time,it is also characterized with reliability and conservative which is endowed by central rustic cultural roots. In fact, not only refers to the text, but also includes the stage art and the feedback of audience.The "modernization" to a certain extent, the exquisite music and "dramatic", and is in danger of losing the "self" and the loss of audience. Returning to the unique personality of Chinese traditional opera and Yuediao and folks will become more rational choice of modernization "dilemma". In the fifth chapter "star" as keywords, case study of Shen Fengmei. Shen Fengmei as the women in the transfer stage, from a folk street artists grow into a new China performing artists. In her under the reform of "new Yuediao", the traditional being any. The essence of Shen Fengmei theater spirit is a cavity with "sincere" suiting both refined and popular taste, which is the basis for her innovation of the tune, but also the intangible wealth her legacy. In the conclusion part, the author puts forward two kinds of "traditional", namely "old Yuediao" and "new Yuediao" traditional. Activate the "old Yuediao" traditional, not to "new Yuediao" and "Yuediao" appear united outwardly but divided at heart, is an important experience of Henan Yuediao in the historical evolution of twentieth Century has left us. Henan Yuediao should be in the country will look to the local opera of the occasion, and actively create a new pattern of their own.A hundred years of ups and downs includes internal and external aspects, one is placing Yuediao in the ups and downs of history river of traditional opera, and the other is the adjustment and evolution of the internal pattern.