Research And Practice On Transformation Of The Relationship Between The Shape And Meaning Of Branches And Leaves In Chinese Flower And Bird Painting

In flower and bird paintings,the beauty of branches and leaves is the final expression of their shape and meaning.The shape of branches and leaves refers to its explicit form and the final picture effect presented to the world.The shaping of shape includes many aspects,such as the posture and color of branches and leaves,which shows the painter’s observation and thinking of the real world.The meaning of branches and leaves is mainly reflected in the spiritual level.It is a subjective feeling that can resonate with the viewer,an immersive spiritual experience.The expression of branches and leaves in flower and bird painting is ultimately to shape and express its meaning.This topic mainly studies the transformation relationship between the shape and meaning of branches and leaves in flower and bird paintings.On the premise of analyzing and summarizing the shape and meaning of branches and leaves in representative flower and bird paintings,this thesis discusses their specific performance in practical works.The shape of branches and leaves shows their external posture,while the meaning shows the spirit and emotion entrusted by branches and leaves.Form is the manifestation of meaning,while meaning is the core of form.Such a transformation relationship determines the movement and stillness of form and the depth of meaning.Form and intention coexist and blend with each other.This thesis will take the typical works in history as an example to analyze and discuss the shape and meaning of branches and leaves in flower and bird paintings.The state and rhythm of branches and leaves in flower and bird painting are often affected by the picture atmosphere that the whole picture wants to create and the author’s personal emotion.Therefore,the shape moves with the meaning.This movement can be divided into two types: relatively static and relatively dynamic according to the degree and the picture tension.After the transformation and integration of the relationship between form and meaning and the relationship between them in flower and bird painting,the theory is internalized and applied to practical creation,and the form is combined with the previous painting form and personal observation of nature;Care to express the look back to the old era and the expectation of the new era.Under the ideal combination of form and meaning,create a contemporary flower and bird painting with personal characteristics and vitality.