| With the rapid development of the times,many non-heritage cultures are facing a great crisis and a situation of continuous withering.They are not only the unique historical memory of each nation,but also the traditional cultural essence and treasures left by history.In recent years,China has begun to pay attention to the protection and inheritance of intangible cultural heritage,but the specific theories and measures are still relatively imperfect,and there is still a lot of room for improvement and innovation,and a more desirable path of development and innovation can be explored.It is a traditional cultural treasure handed down from the ancestors of Yifeng County for hundreds of years,carrying the deep cultural connotation and emotional memory of the villagers of Yifeng County,but in recent years it has been subject to many shocks.Although the Fire Dragon Lantern of Looking Bridge was listed in the municipal intangible cultural heritage catalog in 2018,and the series of protection measures implemented after the selection have contributed to the inheritance and development of the Fire Dragon Lantern of Looking Bridge,there are still many problems that need to be actively addressed.This paper analyzes the inheritance and development of the fire dragon lantern from the perspectives of both dance morphology ephemerality and coevalness,and uses documentary analysis,fieldwork and oral history research to gain a comprehensive understanding of the historical and cultural characteristics of the fire dragon lantern,and to make practical suggestions for its protection and development.The text is divided into seven chapters:The first chapter,"Introduction," firstly,discusses the background and significance of the subject;secondly,analyzes the relevant literature at home and abroad;finally,explains that this paper is based on the research object of the Fire Dragon Lantern of Qiaobiao,and uses the research methods of documentary analysis,fieldwork and oral history research to conduct the research of text creation.The second chapter,"Historical and cultural research on the fire dragon lantern of Qiuqiao in the perspective of dance morphology",uses the theory and research methods of dance morphology to sort out the development of the fire dragon lantern of Qiuqiao,analyze its artistic characteristics,and explore the profound cultural connotation and value contained in it,so as to make a basic foundation for the discussion in the following chapters.The third chapter,"The Fire Dragon Lantern of Qiuqiao Chapter 3," Analysis of the current situation and problems of the inheritance of the fire dragon lantern of Qiuqiao ",introduces the main inheritors of the fire dragon lantern of Qiuqiao,visits the inheritors to have a deeper understanding of the inheritance and development of the fire dragon lantern of Qiuqiao,analyzes the current situation of its inheritance,and discusses the problems in the current protection.Chapter 4," The significance and strategy of the heritage of the Fire Dragon Lantern of Qiuqiao",firstly affirms the significance of the heritage of the Fire Dragon Lantern of Qiuqiao from three aspects: social,cultural and spiritual,and then proposes a comprehensive protection strategy for the problems of the heritage in the previous chapter,laying a solid foundation for the subsequent common development and dissemination of the Fire Dragon Lantern of Qiuqiao.The fifth chapter,"Exploring the development path of the co-temporal development of Qiuqiao Fire Dragon Lantern from the perspective of dance morphology",discusses the innovative development of Qiuqiao Fire Dragon Lantern from three dimensions: performance space,integrated media perspective and rural revitalization.Chapter 6,"Conclusion",summarizes and outlooks the whole text.The author hopes to effectively apply the theory of dance morphology to the inheritance and development of the Fire Dragon Lantern in Qiuqiao,hoping to find a way to adapt it to the current era and to explore an effective way to inherit and promote the traditional non-heritage dance. |
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