Research On The Artistic Creation Of The Long Scroll Of Chinese Painting "The Road Of Maritime Ceramics"

This article is based on the artistic creation of " Jingdezhen in the 1880s",the first part of the long scroll of Chinese painting "The Road to Maritime Ceramics"."The Road to Porcelain on the Sea" centers on Jingdezhen,depicting the surrounding environment that supported it as a major porcelain production town,restoring the magnificent scene of Jingdezhen porcelain export during the Kangqian period of the Qing Dynasty.It depicts the urban environment,folk customs,72 porcelain making processes,and the scene of produced porcelain being transported by water.In terms of painting form,it combines landscape painting and genre painting,comprehensively utilizes the creative concepts and formal language of traditional Chinese painting,and combines the perspective painting method of Western painting.It is a painting work that integrates meticulous painting,boundary painting,and micro freehand brushwork figure painting.Landscape or genre paintings in traditional scrolls are often developed based on a certain theme that they are intended to express.In order to pursue the diversity and balanced beauty of the elements of the picture,previous scholars have preliminarily explored.Based on this,the long volume of "The Road to Ceramic on the Sea" organically integrates landscape painting and genre painting,and reintegrates traditional painting forms and modern composition elements,making a new attempt at screen form.Based on the long scroll of traditional landscape painting and genre painting,this article uses a comparative approach to study the content and form of "The Road to Ceramic on the Sea",systematically discusses the artistic experience of the author of "The Road to Ceramic on the Sea",the study of landscape painting techniques,and the study of character and scene painting techniques,providing a basis for the re understanding and re development of Chinese painting art innovation,This further clarifies the feasibility of the theory and practice of combining different artistic forms in traditional painting.