The Research And Analysis Of Spiritual Expression Painting Technique In Blue And White Porcelain From Civilian Kiln At The End Of Ming Dynasty In Jingdezhen

Jingdezhen is famous for porcelain in world, the blue and white porcelain whichproduced in civilian kiln is a singularly treasure in Jingdezhen's art treasure house, and thedevelopment of the blue and white porcelain painting form in also long standing, the freehandbrushwork character in scene image is an important sign in blue and white porcelain of theJingdezhen's civilian kiln. Jingdezhen's blue and white porcelain which drew at the end of Mingdynasty from the civilian kiln has been closely luck related to the Chinese traditional freehandbrushwork painting works because this style existed. The civilian worker consciously absorb thefreehand brushwork style which contain in Chinese traditional painting form during the makingporcelains process because they good at spirit of learning and can meet an emergency ability inorder to hold the fashion of the society. The producing character in civilian kiln, like fleetly,batchly, commercially, it caused civilian workers have to quicken the draw rate in order to meeta great demand from the society, so the summarily and frankly image have become to thenecessary trend in the Jingdezhen's blue and white civilian kiln painting image while at the endof Ming dynasty. The official kiln decay at the end of Ming dynasty also provide a macroscopicalexterior surrounding to strengthen the freehand brushwork characters in Jingdezhen's blue andwhite porcelains which come from civilian kilns.The Chinese traditional freehand brushwork painting form also pay much attention toexpress the internal spirit of the artist's main body after regard to the exterior expressionaltechnology. This character is also exist in Jingdezhen's white and blue porcelain civilian kilnpainting works, it not only show the deeply freehand brushwork token in the exterior menuimage form,but also reach the same goal by different routes in the pursue for interior spirit of theChinese traditional freehand brushwork painting form. A systemic expatiate in this paper isprovided on the material incarnate of freehand brnshwork character in Jingdezhen's blue andwhite porcelain painting works from the civilian kiln at the end of Ming dynasty, also contain thecause reason and the signification of this art form, and the aim is in order to let the reader andresearch people who relate to this area realized that the blue and white porcelain painting formwhich produced in civilian kiln have many mutual represent exterior characters with the Chinesetraditional freehand brushwork painting form, so blue and white porcelain painting form in civilian kiln is also make up of an important part in Chinese painting mine. The meaning of thefreehand brushwork character in Jingdezhen's blue and white porcelain painting image whichproduced from civilian kiln is a many-sided face which caused by the different society andhuman lay in the research of the Jingdezhen's blue and white porcelain at the end of Mingdynasty. If we research this many-sided form and structure deeply, it not only can help the lookerto realized the particular charm of the freehand brushwork characters contain in Jingdezhen'sblue and white porcelain painting image form which produced from civilian kiln at the end ofMing dynasty, but will also have a more deeply comprehend and cognition in Chinese traditionalesthetics painting ideas & Chinese traditional freehand brushwork painting forms, as well associety culture conditions & thinking and psychology consciousness.