The Research And Practice Of Freehand Figure Painting

The term "Conceptualizing an Aestheric Feeling" first appeared in the field of poetry and later was gradually applied to the theory and creation of Chinese painting.In the creation of Chinese painting,the term "Conceptualizing an Aestheric Feeling" is a generalization of the aesthetic activity of creating the esthetic conception of a painting.However,"Conceptualizing an Aestheric Feeling" has been discussed more frequently in the field of landscape painting and flower&bird painting.While in the creation of freehand figure painting,the concepts of "Convey the Spirit and Capture the Person" and "Freehand Brushwork" have been emphasized since ancient times,leading to the problem of "Conceptualizing an Aestheric Feeling" not being attached importance to.In fact,freehand figure painting takes "freehand" as the means and the image as the object of description,which is different from landscape painting and flower&bird painting in that the objects are different."Conceptualizing an Aestheric Feeling" in freehand figure painting also needs to be taken seriously.This study consists of five chapters that explore in depth "Conceptualizing an Aestheric Feeling" in freehand figure painting.In the first chapter,the origin and meaning of the concept of "Conceptualizing an Aestheric Feeling" are firstly explained and analyzed,and the connotation of "Conceptualizing an Aestheric Feeling" in the figure painting is explained.In the second chapter,through the analysis of ancient and modern contemporary paintings,the specific embodiment of "Conceptualizing an Aestheric Feeling" in freehand figure painting and different artists’ techniques and styles of "Conceptualizing an Aestheric Feeling" are interpreted.In the third to fifth chapter,combined with the author’s own creation practice,the concrete realization of "Conceptualizing an Aestheric Feeling" in freehand figure painting is clarified.In the third chapter,the ideological connotations of "Conceptualizing an Aestheric Feeling" in freehand figure painting are explained from the three aspects of the artist’s thinking about the times,the expression of the spirit of the object and the expression of subjective emotions,and then the profoundness and practical significance are explained.Moreover,in order to externalize the "esthetic conception" in the artist’s mind,it is necessary to implement the painting techniques.In the fourth chapter,the implementation of the techniques of "Conceptualizing an Aestheric Feeling" in freehand figure painting is mainly elaborated,i.e.various painting languages,such as shape,ink,style and material,are used to depict the visible figures,scenes and environmental space,thereby creating a perceptible abstract esthetic conception.In the fifth chapter,according to the works of some contemporary artists,the adjusted methods are summarized by reflecting on the shortcomings of our own creation at this stage so as to determine the direction to be explored and the plan of creation in the future.