Ink Language Freehand Figure Painting In Performance

The life of art lies in creation. In freehand figure painting, subjective thinking object need to pay attention to observe and stimulate their expression. Freehand figure painting whetherrealistic or exaggeration, is the object to be described in the performance and thus to express emotions, play the aesthetic effect of the work itself. This is an article about the art offreehand figure painting in ink language. The center about context rich categories and complex China painting, freehand figure painting as a unique artistic disciplines, with pen and ink techniques and forms the familiar, give a person with superb artistic enjoyment. In freehand painting, ink, fragrance of the skilled brushwork not only to traditional painting Chinainheritance, priority among priorities is the creation of freehand figure painting.The traditional Chinese painting is different from western realistic painting, has its own uniqueobservation and thinking methods, are different from the western painting. Chinese onpainting in the traditional emphasis is on the expression of the object, and then by nature andperformance. Language performance China figure painting ink has not only refers totechniques, is not a tool, but a physical form of the concept of painting, even "ink" itself is a concept of embodied. So it is very necessary to explore the language of ink painting in the creation of the. Based on the study and impressionistic portraits of ancient and modern all portraits painting appreciation and reference, with personal understanding and ideas in hispainting, on the basis of the creation, learning, from learning, ideas and experience of the creation of the four part, through the practice to enhance their artistic accomplishment,improve their the ability of painting in the creation of a unique painting language, experience,experience and thinking in the creation, provide a research platform for their own artistic creation in the future, and lay a good foundation.