Font Size: a A A

Research And Creation Practice Of Strong-color Freehand Figure Painting

Posted on:2024-01-22Degree:MasterType:Thesis
Country:ChinaCandidate:S E TangFull Text:PDF
GTID:2555307106492304Subject:Art
Abstract/Summary:PDF Full Text Request
Heavy color is not only a typical feature of freehand heavy color figure painting,but also a bridge connecting tradition and modern,east and west.Through the analysis of heavy color freehand figure painting,it is helpful for artists to have a clearer understanding of the national spirit that should be contained in the national painting from an overall perspective.Through literature research,picture analysis,comparative analysis and other methods,this paper will explore the formation and development of freehand heavy color language,the specific expression of its imageness,and the modernity presented in the current cultural context.The article is divided into four chapters: the first chapter,the first is a brief overview of Freehand and heavy color,and the second is to comb the formation process of Freehand and heavy color appearance.The second chapter focuses on the in-depth analysis of the influence factors of freehand heavy color figure painting,which are mainly manifested as: the deconstruction of Chinese classical colors,the transformation of traditional folk colors,the fusion of western modern art colors,and the personality expression of "real" colors.The third chapter mainly expounds the characteristics of freehand heavy color.With the changes of The Times,the artistic appeals of the creators have also changed.The color language shows four characteristics specifically,namely,the retranslation of the standard of ink color,the shifting of white identity,the purification of color language and the application of color tension force.Chapter four is a summary of the author’s freehand heavy color figure painting creation practice.This paper explores the cultural implication implied behind freehand heavy-color figure painting and the responsibility of The Times entrusted to artists through the way of seeing the big from the small and taking color as the painting ontology language as an entry point of view.At the same time,it summarizes the language characteristics of freehand heavy color figure painting,so as to point out the direction of the author’s creation practice.
Keywords/Search Tags:freehand bruchwork, figure painting, heavy color, imagery
PDF Full Text Request
Related items