| Based on the real life,the documentary takes the real events and real situations as the objects of expression,chooses and combines them to express the creator’s thoughts.Documentary is a kind of documentary art that comes from the life.character documentary is an important branch of documentary film,which has incomparable advantages in recording the individual and group life in real life.It is not only a mirror that can show the survival of the characters,also is a communication carrier for the creator to think about the symbiotic relationship between human and society.The true records of real people explore the most real emotional world of the characters,also convey a certain humanism and human is value to the audience.This paper takes the narrative strategy of the documentary film “Dandelion of thepost-90s” as the main object of study,combines theory with practice to analyze the narrative strategy of the documentary film “Dandelionofthepost-90s”.Liu Jie,the new head teacher,is the subject of the film.She uses the camera to record the real life of the characters and goes into the inner world of the characters,represented by the stories of the teachers of the post-1990 s generation who have stepped into the workplace.These people are just like dandelions,ordinary and strong,always positive,but also represents a type of positive energy.The results of the study increase the diversity of the individual study of the character documentary film,and provide a new idea for the theoretical study of the character documentary film.In this paper,the narrative strategy of the character documentary shows the importance of the content of the study.The introduction part mainly describes the back ground of the character documentary research,research significance,research methods.The first chapter mainly starts from the creation law,understands the narrative strategy of the character documentary and summarizes the development of the teacher subject documentary,the second chapter starts from the narrative structure,from the narrative structure of the content level of character selection,event selection,and then to the narrative structure of the discourse level of narrative perspective,suspense,narrative timing to explore the law.The third chapter starts with the two major components of the figure documentary,namely the picture and the voice,and analyzes the use of the audio-visual language of the figure documentary.The fourth part is the author’s summary and reflection on the creation of the character documentary.The content describes the expression of narrative structure and audio-visual language in the works,and summarizes the creation experience of character documentary.It is hoped that this content will provide some reference and reference value for the study of the narrative structure of the character documentary. |
