A Study On The Artistic Anthology And Poetry Creation During The Ming Dynasty(1436-1505)

The mid Ming Dynasty was a period of prosperous and active Yaji activities,with nearly twenty Yaji activities recorded on the Yaji Map.Among them,the first four dynasties(excluding the Jingtai Dynasty)in the mid Ming Dynasty,which is the focus of this study,namely the Zhengtong,Tianshun,Chenghua,and Hongzhi dynasties,had a total of fifteen Yaji activities preserved on the Yaji Map.For a long time,the academic community has focused on the study of elegant collections in the field of fine arts,while research in the field of literature has often been overlooked.This article focuses on the realistic art collections of the Ming Dynasty,sorts out some basic information of the participants in the art collections,such as party relationships,social relationships,and official experiences.It also conducts a study on the language image relationship between the content of the paintings and the poetry and literature creation of the art collections,identifying their common ideas of art collections.At the same time,based on the first-hand poetry and literature materials on the art collections,the version is compiled,Conduct literary research and exploration in poetry and prose creation.The article is divided into six parts.Introduction: This chapter discusses in detail the origin of the topic selection,the definition of five concepts,research status,four research methods,research significance,and innovative points.Chapter 1: Exploring the General Situation of Literary Collected Works and Poetry Creation before the Ming Dynasty.The first section of this chapter explores the relationship and development of elegant collections and poetry creation before the Ming Dynasty through examples from different dynasties.The second section of this chapter categorizes and explores the Yaji maps before the Ming Dynasty,dividing them into two types: imaginative Yaji maps and realistic Yaji maps.Imaginary Yaji maps have a rich number of topics,while realistic Yaji maps have a sparse number.Chapter 2: This chapter is a comprehensive study of the elegant collections of literati in the Ming Dynasty.The first section summarizes the three types of elegant gatherings in the Ming Dynasty,and based on this summary,analyzes that the organizers of the three types of elegant gatherings were emperors,officials,and literati.The second section provides a detailed sorting and classification of the preservation of the Ming Dynasty’s realistic Yaji(centered around Yaji Tu).Chapter 3: This chapter conducts a study on the collection of refined works and poetry creation during the Zhengtong and Tianshun periods of the Ming Dynasty.During the Zhengtong period of the Ming Dynasty,only the Xingyuan Yaji remained as a realistic Yaji,while during the Tianshun period,only the Qingbaixuan Yaji.This chapter describes the images of these two Yaji,striving to reproduce the Yaji images during the occurrence of the Yaji.At the same time,by exploring the relationship between language and image,the concept of integrating language and image is studied,and on this basis,literary research and analysis are conducted on the poetry and literary creation of these two Yaji.In this chapter,the concept of combining language and image in Xingyuan Yaji is to showcase the moral image of characters symbolizing etiquette,and poetry and literature creation mainly focuses on appropriate singing and praising virtues.The concept of integrating language and images in the Qingbai Xuan Yaji is to showcase the intersection of Confucianism and Buddhism,meditation,and noble and elegant character images.Poetry and literary creation mainly reflects the friendship between confidants and emotional expression.Chapter 4: This chapter conducts a study on the collection of refined works and poetry creation during the Chenghua period of the Ming Dynasty.During the Chenghua period of the Ming Dynasty,there were collections of elegant works that were preserved,including the Wei Yuan Collection and the Huqiu Farewell Collection.The images,language image relationships,and poetic creations of these collections each have their own characteristics.For the research on the poetry and literary creation of Wei Yuan’s elegant collection,this chapter starts from the perspective of the literati Jielu,exploring the unique seclusion thoughts of the people in the elegant collection.At the same time,through the analysis of the relationship between language and images,it is found that their concept of elegant collection is to showcase the image of literati and officialdom who have retired to the bustling city in Jielu’s mortal world.The study of the Huqiu Farewell Elegant Collection starts from the perspective of both assisting the world and retreating in seclusion.It is believed that the literati of Wu,represented by Shen Zhou in the middle of the Ming Dynasty,had a common contradictory mentality.On the one hand,they upheld the Confucian sense of responsibility for assisting the world,and on the other hand,they cherished the leisurely life of personal retreat.Therefore,their language image relationship showcases the concept of the Elegant Collection as a solitary figure of literati who hesitated and hesitated between entering and leaving the world.Chapter 5: This chapter conducts a study on the collection of refined works and poetry creation during the Hongzhi period of the Ming Dynasty.During the Hongzhi period,there were the highest number of preserved Yaji activities,totaling eleven times,which can be roughly divided into three categories: official Yaji,friends’ leisurely Yaji,and farewell Yaji.This chapter selects three classic examples: Zhuyuan Shouji,Renri Yaji,and Jingjiang Farewell Yaji,and studies his poetic and literary creations from three perspectives: Shouzhu Singing and Comparing with the Past,Appreciating the Scenery and Leisure Gathering,and Praising and Blessing His Former Friends.At the same time,analyzing the language graph relationship of the three typical collections,it is believed that the collection concept of Zhuyuan Shouji is to highlight hard work,accumulate achievements,and ultimately become an official image as a senior official;The concept of "Renri Yaji" is a character image portrayed in the sorrowful spring and autumn,pursuing the true meaning of life with a three part decadent and seven part sober attitude,thereby realizing one’s life aspirations;The concept of the Jingjiang Farewell Yaji is to showcase the image of a literati who,despite being demoted,did not harbor resentment,but always faced setbacks in life with a positive and optimistic attitude.