The Creative Characteristics And Singing Analysis Of The "Three Gorges" Theme Vocal Music Works Since The 1980s

After the 1980 s,the art of Chinese vocal music has been booming,and diversified music development concepts have emerged throughout the country.These new music are diverse,not only inheriting many former music styles and traditional folk music features,but also integrating other art forms on the basis of them.Both lyric writers and singers have carried out a certain degree of innovation and creation in terms of melody,lyrics,singing and other aspects.That is,in this period,in order to promote the music culture of the Three Gorges to all parts of the country,not only the local residents of the Three Gorges,but also the "Three Gorges bosom friends" from all over the world,together bred the unique "Three Gorges" theme vocal music works.The vocal music works created by the "Three Gorges people" not only have the local characteristics of the Three Gorges,but also incorporate the characteristics of the times and other music forms,which push the songs from the field to the stage and the big screen,and also make the "Three Gorges" music culture into the contemporary Chinese vocal music art field.Its music inheritance and singing methods have certain research value.In this paper,the author will make a comprehensive arrangement of the "Three Gorges" theme vocal music works since the 1980 s,first of all,analyze how the songs inherit and carry forward the local folk characteristics and characteristics of the Three Gorges during the creation process,and how to combine the local singing methods with rich characteristics in the singing process.After that,take the two works "Three Gorges Love" and "Blessing the Three Gorges" as examples,analyze the lyricist’s life story,song creation experience,creative techniques and other aspects,and combine singing to analyze the connotation and expressiveness of the works in all aspects.After understanding its creation and singing characteristics,we can learn from them,which will play a positive role in the author’s future vocal performance and teaching.In 2006,the State Council released the First List of Intangible Cultural Heritage,of which 9 items are all folk music of the Three Gorges.This not only reflects the importance that the country attaches to the culture of the Three Gorges,but also injects the music of the Three Gorges into a new spiritual impetus.Only by inheriting and developing at the same time can we better protect the material cultural heritage of the Three Gorges region.At the same time,only by drawing on the creative and singing characteristics of such music can we continue to introduce the old and bring forth the new,conform to the development of music,and follow the trend of music aesthetics.I hope this paper can do its bit to carry forward national culture,study music development and enhance national cultural self-confidence.