A Study Of Landscape Writing In Haoran’s Fictions In "Seventeen Years"

Hao Ran is a founding ceremony of the People’s Republic of China writer,whose works run through three important historical periods of contemporary literature,and he is the participant of discourse and literary discourse in each period.In the 1950 s and1960s,there was a vigorous agricultural co-operation movement in China,and "New characters,New world" inspired Hao Ran to write about it.There is a healthy,clear,positive and optimistic aesthetic tone in Hao Ran’s works during the period of "Seventeen years",the collectivism of the new generation.While outlining the vigorous development of the agricultural cooperative movement,his novel also reveals various difficulties in the process of socialist construction,one of which is the construction of "New people".The Chinese revolution in the 20 th century liberated the masses from the traditional social relations of geography and consanguinity and reduced them to primitive individuals,to endow them with new era connotation is an urgent problem to be solved in New China,and also a problem to be pondered and written in "Seventeen years" literature.Under this kind of intense political appeal,many writers try to explore in the literature creation,similarly,the lofty ambition "Forever eulogizes" also attempts to give own answer,and merged in the "Landscape-political" writing.As a medium,"landscape" in Hao Ran’s novels is no longer confined to aesthetic art,but contains distinct national ideology,which is related to the formation of new historical subjects.Through landscape writing,the novel presents people’s transformation from primitive individuals to subjects with socialist spiritual qualities.In the continuous construction of new identity and common emotional affiliation,his landscape writing brings the individual into the grand goal of socialist modernization,which makes the two have a substantial connection,both the breadth and depth of life,and the connotation of The Times.The first chapter of the thesis mainly analyzes the background of the formation of the "scene-politics" structure in Hao Ran’s novels during the "Seventeen year" period.Through sorting out the concept of "landscape" and its evolution,it excavates the discourse mechanism of landscape writing in Hao Ran’s novels,and presents the characteristics of his landscape writing from the practical requirements of the agricultural cooperative movement and the formation of his experience in landscape writing.The second chapter discusses the relationship between life politics and revolutionary landscape.Through the analysis of "memory landscape" in revolutionary war,"symbolic landscape" in class struggle and "spiritual landscape" in socialist modernization imagination,it discusses how landscape writing interweaves with politics in real life and revolution in writing.The third chapter focuses on the analysis of the relationship between the politics of production and the modern landscape,through the analysis of labor production and construction activities,discusses the implication and imagination of socialist modernization in the landscape.The fourth chapter mainly analyzes the connotation of collectivization in rural daily and custom scenery,and grasps how collectivization scenery is embodied in daily life through the arrangement of private life and the transformation of custom.Based on the above analysis of the time life and subject imagination carried by the scenery in Hao Ran’s novels during the "Seventeen years" period,the fifth chapter aims to explore its literary significance and reflection.In terms of literary significance,landscape reflects the combination of Haoran’s political ideal and aesthetic ideal,which contains the quality of beauty in politics and reflects the political meaning in the quality of beauty.The two complement each other and jointly shape the uniqueness of Haoran’s novels.But at the same time,some over-politicized landscape writing also inevitably damaged the literary value and artistic value of the novel.