A Study On The Writing Of Tang Dynasty Palace Literature

Xingqing Palace,as the most important palace during the reign of Emperor Xuanzong of Tang,witnessed the prosperity of society during the Tianbao era of the Kaiyuan era and became the site of palace literary activities at that time.Xingqing Palace and its internal buildings often appeared in literary writings.This article takes works depicting Xingqing Palace and its internal buildings as the research object,and explores the interactive relationship between Xingqing Palace and related literary works of Xingqing Palace.The main part includes an introduction and four chapters.The first chapter discusses the overview and changes of the three major literary works in Chang’an,the second chapter explores the literary writing of Xingqing Palace from a spatial perspective,the third chapter discusses the literary writing of the three major literary works in the middle and late Tang Dynasty,and the fourth chapter discusses the temporal and spatial extension of Xingqing Palace literary writing.The summary of each chapter is as follows.The first chapter is an overview of the three major internal affairs of Chang’an in the Tang Dynasty.The imperial palaces of the Tang Dynasty are distributed in the two capitals.The Taiji Palace,Daming Palace and Xingqing Palace are the three major palaces of Chang’an City in the western capital and the political center of the Tang Dynasty.Based on the relevant achievements of history and archaeology,the author summarizes the overview and usage of the three major palaces,analyzes the migration of political centers between them,and focuses on discussing the characteristics and differences in geographical space of the three major palaces,as well as the reasons why Xingqing Palace was ultimately chosen by Emperor Xuanzong of Tang.The second chapter discusses the formation and literary writing of the literary space of Xingqing Palace and its internal buildings.The generation and writing of the literary space in Xingqing Palace reflects its function and tendency as a political space,with a certain political color.The writing of the Qianqiu Festival,which is related to the Xuanzong Qianqiu Festival,has transformed the Huacalyx Tower and Qinzheng Tower from a political space to an entertainment performance space.The formation of "Longchi Literary Writing" can be divided into two periods.During the period of Emperor Zhongzong,Longchi was used as a gathering place,and the joy of banquets for monarchs and ministers was often reflected in literary writing.During the period of Emperor Xuanzong,Longchi was associated with Emperor Xuanzong’s dragon flying,becoming a symbol of auspiciousness.Each writing mode has its own characteristics.The former mostly wrote poems to express the theme of praising saints,while the latter reflected Longchi as a symbol of auspiciousness in the form of music and hymns.The literary space of Chen Xiangting generates a specific literary space in the atmosphere of Emperor Fei’s flower appreciation and Li Bai’s drunken poem "Qing Pingdiao",which also makes the literature of the love theme between Chen Xiangting and Li Yang popular in later generations,shaping the literary imagination of future generations towards the opening of the heavens.The third chapter is the writing of the three major internal literature in the middle and late Tang Dynasty.The author combs the writings of the scholars in the middle and late Tang Dynasty on the Taiji Palace,Daming Palace and Xingqing Palace,and analyzes the tendency and attitude of the scholars to the writing of the three major internal literature in combination with the author’s era.Lingyan Pavilion is the most representative of the writing of the Taiji Palace in the middle and late Tang Dynasty,expressing the attitude of the scholars in the middle and late Tang Dynasty to fame.As the political center of the middle and late Tang Dynasty,Daming Palace has a strong political color.The Xingqing Palace in the mid to late Tang Dynasty was of great importance in the spiritual world of literati.They regarded it as a symbol of the Tianbao period of the Kaiyuan era,and wrote about it to express their nostalgia and emotions for the prosperous era.The Xingqing Palace gradually became a palace image for literati to express political upheavals,in stark contrast to the literary writing of the prosperous Tang Dynasty.Chapter four is about the extension of time and space in the literary writing of Xingqing Palace.In the writing of Xingqing Palace related literature,the extension of space is reflected in the literary writing of various royal residences,and the extension of time is reflected in the writing of "Chenxiang Pavilion" in later generations.The author starts with the literary connection between the royal mansion system and the feudal mansion,and takes the poetry works related to Prince Ning’s mansion in Tang Dynasty literary writing as the object to analyze the performance of literary activities centered around Emperor Xuanzong of Tang in the feudal mansion.Chen Xiangting is famous for Li Bai’s "Qing Pingdiao",which has also made Li Bai’s story and Li Yang’s love story material for later literature.This article analyzes the writing of Li Bai’s story and Li Yang’s love story related to "Chen Xiangting" in later generations,and explains the cultural connotations of Chen Xiangting’s changes in later generations.