A Study On Li Tiaoyuan’s Shu Ya

Shu Ya is a collection of Bashu poems in the Qing Dynasty compiled by Li Tiaoyuan.It includes more than 800 poems of more than 170 people from the late Ming Dynasty to Qianlong in the Qing Dynasty,rich in content.The study of Li Tiaoyuan’s Shu Ya is helpful to have a comprehensive understanding of Li Tongyuan’s poetic thought,enrich the study of poetry in the Qing Dynasty,and promote the inheritance and development of Bashu culture.At present,there are few specialized studies on Shu Ya,so it is necessary to deeply comb and analyze Li Tiaoyuan’s Shu Ya.The paper is divided into four parts:The first part introduces the basic situation of Shu ya.After the war in the late Ming Dynasty,Bashu literature was depressed.Compared with the prosperity of traditional Bashu literature,the early Qing Dynasty "Ba as,more into the style",and even value the ancient and cheap present.Li Tiaoyuan deeply felt the need to inherit the documents of his hometown and carry forward the academic studies of Shu.During the Ming and Qing Dynasties,the general collection of literati poems became a trend.Li Tiaoyuan "widely searched and collected" three historical,sub,collection of documents;well selected documents,manuscripts,stone carvings,inscriptions and other original documents as materials,gathered the essence of Shu Ya,improve the status of Shu poets in the history of literature.Finally,the seven surviving ancient versions of Shu Ya were sorted out,and the twenty volumes of Han Hai were compared with the other four ancient editions,and the preliminary collation,collation and collation of Shu Ya were completed.Supplement the different text details of the four volumes and the 20 volumes in the book,and sort out the differences of each edition.Through the poet’s birth and death and selection time preliminary analysis of "Shu Ya" and "Shu Ya".The second part sorts out the arrangement style of Shu Ya and analyzes the compilation content of Shu Ya.From the perspective of style,Shu Ya has both different styles,which reflects Li Tiaoyuan’s distinguishing consciousness and stylistic understanding.From the poet’s point of view,Shu Ya does not choose strangers,attaches importance to character.From the perspective of poetry,Li Tiaoyuan has the following tendencies: genre,advocating singing,pay attention to the five laws;content,pay attention to temperament,elegant poetry;style,the reason is not empty,Qing Li Ju Zong;poetry style,Zong Han and Tang,far Song and Yuan.The third part analyzes the auxiliary text of Shu Ya.By examining the characteristics,intertextuality and narrative functions of the subtext of Shu Ya,we can see the general collection of local poetry and the compilation of local Chronicles in Ming and Qing Dynasties.The subtext of Shu Ya not only reflects Li Tiaoyuan’s poetic evaluation,but also shows his poetic proposition of attaching importance to temperament,promoting personality and adhering to the innovation of language form.The fourth part studies Shu Ya from the perspective of literary geography and discusses the conscious writing of Shu Ya on Bashu regional literature."Shu Ya" stores a hundred years of Bashu elegant,is also the identification of Bashu culture.From the point of view of poets,Shu Ya embodies the group of literati in Shu,all of which have the consciousness of the literary characteristics and cultural concepts of Bashu.From the perspective of scenery,the literary landscape of Shu further enriches the regional color of Bashu.The literature landscape of Bashu forms the memory field of Bashu literature and also shows the life consciousness of Bashu literati.In terms of emotion,the emotion of Bashu poets after the perception of regional changes is the sense of estrangement from a foreign land,and the sense of belonging to Shu.In the aspect of thought,the compatibility of Confucianism and Taoism in Bashu poetry is consistent.