Research On The "Poetic" Creation Of The Qiang Theme Dance "Cloud Water Prayer"

"In the heart for ambition,speech for poetry." Chinese culture has lasted for thousands of years.Scholars of all dynasties have discussed poetry for a long time and deeply.Their poetic spirit and humanistic cultivation have attracted worldwide attention.In the historical process of blending with "poetry",many art categories have gradually penetrated the connotation of poetry,which has contributed to the considerable "poetic" development of various arts.From a historical point of view,the influence of poetry on dance is even more lasting.Throughout the current folk dance creation,many excellent dance choreographers and directors are also trying to present the "poetic" stage of traditional folk dance through novel artistic means.Therefore,the "poetic" of folk dance has attracted more and more attention as the object of dance research.This paper aims to explore the "poetic" creation of Qiang Folk dance with the Qiang dance "pray for clouds and water" as a practical case.From the perspective of theory and practice,this paper expounds the homologous relationship,artistic commonality and the practical significance of the poetic creation of Qiang Folk Dance,and provides some reference value for the poetic creation of Qiang Folk Dance in terms of artistic techniques and expression.This paper is mainly divided into four parts: the first part mainly expounds the artistic commonness and mutual integration of poetry and dance,as well as the poetic tendency of current dance creation.The second part mainly expresses the poetic creative motivation and the content of the work,and expounds the theme and emotion of the work.The third part analyzes the internal shaping and external presentation of cloud water prayer from two levels,and makes an in-depth exploration of the comprehensive elements of "poetic" creation,spatial structure,artistic conception shaping,and stage light and shadow.The fourth part is mainly the rethinking after the author’s creative practice.It expounds the author’s views and suggestions from three aspects: the practical significance of "poetic" creation,the degree of trade-offs and the reflection of hidden worries.