| The concept of "The object of knowledge" is an important concept in Chinese Confucianism and an important issue in epistemology."Zhizhi" is the purpose and effect of "Gewu",while "Gewu" is the way and method.In artistic activities,rational "deconstruction" and separation of existence and relationship are the common methods and thinking methods of artists,which can also be regarded as a kind of "case object".For example,"Wu-school" art,"Povera art","earth art" and other art schools have the object itself,object and object,object and space mutual relationship and change of thinking and research.In the continuous dissection of the reason,and then to ask the reason of the reason.Things will gradually break away from the original surface intuitive feeling,all things will be dissolved into the simplest form of material movement,and the emotions brought by it will also be dissolved.Under the infinite deconstruction,everything will return to "nothingness".In recent years,with the development of VR,artificial intelligence and other technologies,people can get rid of the real conditions to get close to the real experience,but if we can get the sensory experience under the virtual technology,the so-called real world may be essentially the same as the virtual world,and the exploration will eventually lead to nothingness.But at the same time,the feeling brought by this "nothingness" is real and meaningful,which is also similar to the view of "existentialism",that is,"the world is meaningless,and it is given meaning by people".This paper tries to find out more artistic thinking and expression of the essence of the world such as "consciousness","material existence" and "space" in the context of contemporary art,and demonstrates that feeling endows nothingness meaning,"feeling" is the core of meaning,and that art should poetically express the truth of the elimination of emotional color and how to poetically express it. |
