A Comparative Study Of Piano Adaptation Of Chinese And Russian Folk Songs "in That Faraway Land" And "Nightingale"

In the context of the emphasis on folk music,more and more scholars began to study the nationalization of all kinds of music,especially the piano as a foreign instrument how to better express Chinese folk music.The development of Russian piano music nationalization is of great significance to our country.Based on this situation,many scholars began to study the comparison of Chinese and Russian piano music,the comparison of Chinese and Russian piano adaptations,the comparison of Chinese and Russian folk songs and so on.The research between the two is mostly from a general direction,large module comparative study.The comparative study of some of the small branches has not received much attention,only in the overall study of the brief description.Based on this,starting from the comparative study,this paper takes Glinka’s "Nightingale" and Sang Tong’s "In that distant Place",two representative piano adaptations of Chinese and Russian folk songs,as the research object.Firstly,the background of the music of China and Russia and the two works is described.Secondly,a comparative study is made on the music ontology,playing techniques and teaching and education of the two works.Finally,through the comparative study of the two works,the significance and enlightenment of the comparison of piano adaptations of Chinese and Russian folk songs are explored.Through the comparison of three times in the study,the study gradually advanced from the three aspects of music itself,playing techniques and teaching implementation,applied the learning and playing of the two representative works in teaching practice,and also applied the teaching research results back to the learning and playing of the piano.The two methods are interrelated and complementary,and further stimulated the deep artistic thinking.This inspires the study,playing and teaching of piano rearrangement of Chinese and Russian folk songs.It is hoped that through this research and arrangement,the common characteristics of the representative piano rearrangements of folk songs in China and Russia can be clearly displayed,and the characteristics of the piano rearrangements of folk songs can be clarified,which will be helpful for the performance and understanding of the nationalization of piano music and further improve the artistic thinking.And then enrich the content of the folk song adaptation branch in the piano adaptation of China and Russia,and provide some reference experience for the road of Chinese music nationalization by studying the road of Russian music nationalization.