An Analysis Of The Creative Techniques And Performance Techniques Of The Banhu Concerto "Luantang Qin Sheng"

In the early days of Banhu,the Qin Opera,Henan Wooden Clapper,Hebei Wooden Clapper,Shanxi Wooden Clapper,Shandong Wooden Clapper appeared in people’s life as the main accompaniment instrument for many kinds of operas and folk songs and dances,and was well known and loved by people everywhere.After the20 th century,Mr.Liu Mingyuan,the famous Banhu master,performed the small Banhu(high Banhu),which was used as the main instrument of Pingju Hebei Bangzi music,as a solo instrument.Since then,Banhu was no longer just an accompaniment instrument for opera,and has stepped on the historical stage of solo instrumental music.With the establishment and improvement of the socialist system,Banhu has established the position of soloist,and the Banhu performance culture has basically formed a transformation from folk custom to specialization in the social change."Luan tan qin sheng" is the fifth movement of the national orchestral suite "Shanxi Impression",is Banhu and band concerto.With the unique sound effect of Banhu and the strong artistic attains of the composer,the music not only absorbs Chinese traditional opera music but also integrates a large number of western harmonic,orchestrating and other composing techniques,which breaks through the traditional style of Banhu,deepens the playing content of Banhu and improves the performance level of Banhu players.This paper focuses on the creative techniques and playing techniques of "Luan tan qin sheng",feels the author’s expression of emotion,grasps the characteristics of the music’s creative style,and analyzes the different playing techniques in the music.