Study On Qiangmu In The Shannan District Of Tibet From The Cultural Vision

Qiang mu, an important event of Buddhist practice activities ofTibetan Buddhism, came from Samye Temple in the Shannan districtin the 8th century AD and already had history of nearly 1200 years. Itexpresses various themes in form of music and dance, such aspreaching the law, expelling evil spirits, making the sermon andconfession and entertaining gods. As the live fossil of human-being,Qiangmu has a strong religious sacrificial color.At present, the Qiangmu’s academic research is mainly reflectedin three aspects: 1, Qiang’s own development and characteristics; 2,study on relationship between Qiang’s content, props and Tibetanopera performance props; 3, Comparative study on Qiangmu and folkdancing. By analyzing, Tibetan opera culture connotation andShannan folk culture are rarely influenced by Qiangmu. It has lessvalue to study Qiang’s modernity and tourism. This paper focuses onthe two aspects and divides into 6 chapters:The Qiang’s the research status is arranged by the fieldinvestigation, questionnaire analysis, literature methods, logicanalysis, interviews, cultural research, The effect of comparison,contradiction, modernity and management theory of tourism. the goals and plans to solve the key problems. In the second chapter,stanza’s aesthetic features, culture connotation and social functionshave been discussed. In Chapter 3, the relationship and influencebetween the Qiangmu and Tibetan opera dance, Shannan regional folkculture. In the fourth to sixth chapter, combined with the culturaltheory study of the development of the Qiang’s restriction ofsubjective and objective factors, put forward to promote thedevelopment of the qiang’s measures, draw the conclusion.Qiang’s fundamental kernel is the relationship between religion,sacrifice, its rise and fall and the time. In the modern society, Qiangkeeps its religious culture connotation and it is very effective topromote Shannan development of tourism and protection ofecological environment. The author found out the Qiang’s history,social function, restraint and developmental strategies. The valueposition is analyzed in the modern society and pointed out thenecessity of keeping the original ecological environment. Based on it,Qiang must inject new contents and topic and goes the developmentin a popular, living and market form.