Rachmaninoff Three Romances Analysis And Performance Study

In late nineteenth Century, early twentieth Century Rachmaninoff as an accomplished musician, whose work involves directing, composition, piano and other fields. In recent years, along with our country music art education’s vigorous development, the Russian romantic music, especially the works of Rachmaninoff noticed by the public. In addition to a high-profile" vocalise"," spring", and more than80romances exudes a unique charm, is also worthy of our in-depth study. His romantic song rhythm melody is simple, plain, but with some unique compositional techniques, or is that weak grief, or passionate about music, which contains infinite wisdom and charm.This article is divided into three chapters, the first chapter introduces Rachmaninoff s life and time of various trends of thought, summarize Rachmaninoff s music style the objective factors; the second chapter through to the three romantic songs (" don’t sing, my beauty"(1892-3)," I got a crush on grief and sorrow"(1893), and" it’s so nice here!"(1902)) analysis, an overview of his romantic music creation is unique, and introduced its intrinsic characteristic of music; the third chapter two degrees from the creative point of view, analysis and summary of the Rachmaninoff romance concert features.This article through to the Rachmaninoff romance artistic features and singing style analysis, to better grasp its connotation, thus to better guide the practice, hoping this can explore the Rachmaninoff romance studies provide some reference and basis, to the domestic artistic song creation research to reference, expand the Rachmaninoff romance of vision.