| Traditional Chinese Painting pay attention to the relationships between "shape" and "Verve" they describe verve by drawing the shape of object. The way of Drawing the"ying" enrich the way of modeling. People describe the verve by drawing the "ying" or enjoy the "ying" without the shape of object. Actually, the significance of the "ying" reflect in the relationship between "shape","image" and "verve". Briefly,"ying" is more than shape which shewed in paintings and it can express the verve. This way of draw the "ying" is the result of the development of the history of thought. The deep meaning of the concept is the change of the way people understanding the world. Of course, this change also reflect in the change of the concept of "ying". At the beginning, it means shadow or picture. Later, it means Phantom or image. Painting as a projection of values of concept, its aesthetic tendencies comes from values of concept. This research arrange the change of concept of the "ying" to understand the ideological connotations of creating or understanding the image. |