Funeral Dance 《Than We Are, Bligh Yi》 The Stage Of Exploration

This paper takes hubei province national social dancing troupe man "than we are, bligh yi" as an example, the creation of works from the private to the stage and the value of the expression of anatomy, triggering of the development of our folk dance theatrical creation.The main object and the breakthrough point of this study is based on tujia funeral dance play tight biz card, bligh yi, through the in-depth analysis of the dance stage expression, so as to spy on people national spirit connotation, and analysis of the performance of dance works realm and fusion, and reveals the inner meaning of tujia funeral dance culture itself, and through the phenomenon to alluding to the contemporary national folk theatrical creation.This paper in order to play "than we are, bligh yi" as an example, the analysis of tujia nationality from the Angle of creation from the folk art of the stage, to explore the biz card, bligh yi creation reason, motivation, form and concise culture form action method, show the tujia culture.The second part is from the perspective of tujia folk culture, explore the plays covered how the profound connotation of movements, dance or schedule to reflect, for this, this paper puts forward three representative culture and dance, counterpart of the tujia nationality view and life view and drum basin, singing and dancing, love filial piety in blue song and dance soul concept of regeneration and the tiger.The third part is standing at a higher Angle to folk dance creation, reflect on the current stage, especially such as funeral dance has a long history, profound culture of folk dance, put forward the feasibility of three kinds of theatrical creation way, mainly divided into from folk to stage the motives of the transformation, the space and time and physical transformation.I own is based on an office workers of Chinese national folk dancing teaching in colleges and universities in the graduate study is passionate about folk dance culture during the period of mining, the integration of many years of teaching practice and field trips and the study of folk culture, through a concrete example work "than we are, bligh yi" the whole creation, to the traditional culture connotation of tujia funeral dance as the backing, the works in the face of traditional dance performances of creative process to grasp aspects to further explore and core spirit, view and folk dance of the present problem of theatrical creation thinking and give your own opinion.