A Study For Egon Schiele’s Painting Language Of Blending Of Lines And Colors

Egon Schiele,an Austrian painter of the late 19 th and early 20 th centuries was an important member of the secessionist group after Gustav Klimt.During his 28 years of artistic career,he has formed a painting language with a very personal style.This thesis,by analyzing several the key turning points of transform of Schiele’s painting works and categorizing and summarizing his works,makes a certain research on the phenomenon of line and color blending gradually presented in watercolor paintings.Klimt was Schiele’s supervisor and had a great influence on him.So much so that in the later paintings of Schiele and Klimt had such a big difference,what Schiele did not change was the line style painting and the plane painting,which constitute a premise of this paper.Under leading of Oppenheimer,Schiele’s painting into the field of expressionism,himself,pregnant women,prostitutes,naked girls and other image Schiele’s the content and the nature as the carrier,for Schiele more spiritual expression,for Schiele,the reality of the objective functions is a quantitative,because Schiller’s image,though it tended some exaggerate,but still loyal to the objective object,expressionist style and painting language became a variable in the brushwork of Schiele,and Schiele’s lines and colors of the relationship between change gradually became friedrich Schiele unique painting language is a mature thing to do.Through the study of this changes,which effected the play a certain supplementary significance to the study of Schiller’s watercolor painting,and provide certain help to the creator from the perspective of practice.