Research And Practice Of Formal Language In Bada Shanren Flower And Bird Paintings

As a descendant of the Ming royal family,Bada Shanren lineage and remnant status caused a huge psychological gap in the social conflicts and turmoil in the late Ming and early Qing dynasties.This gap fluctuated with the interaction between individuals and society,and overflowed from extreme inner conflicts.The effect has achieved the unique and distinctive features of Bada Shanren formal language,and its "meaningful form" stirs up the aesthetic ideal based on personal spiritual experience.The overall social ethos of the Ming Dynasty showed simplicity and simplicity.Literati paintings emphasized the use of Zen to enter the country and pursued extreme "simplicity".The style of painting showed subtlety and conciseness.The simple and abstract form design,strange birds,flying fish,dangerous stones,dry lotus and other traditional painting themes actually hide thoughts and emotions beyond the traditional meaning.This paper takes the formal language of Bada Shanren flower-and-bird painting as the research object,and analyzes the creator’s own life experience,era background,cultural background,and ideological context,from the objects,composition,inscriptions,seals and other constituent elements in his paintings.Describe the composition,cultural purpose and emotional goal of formal language in flower and bird paintings.On the basis of fully understanding and demonstrating the above materials,combined with contemporary social life,cultural status,artistic creation thinking and technology status,analyze the possibility,feasibility and effectiveness of its contemporary inheritance and development.As a theoretical research based on practical purposes,on the one hand,this research aims to form a basic understanding of tradition through literature review;a possibility.This study believes that inheritance includes the direct inheritance of the predecessors’ formal language and form,as well as the indirect inheritance of creative thinking and ideology,as well as the breaking and reorganization of the predecessors’ excellent cultural achievements,and doing the opposite.Based on the above theoretical perspectives,this study attempts to use reverse thinking to conduct a logical deconstruction exploration of the formal language of Bada Shanren flower and bird paintings.In the creative practice,this research attempts to simplify the "standard" industrial products with extremely complex industrial processes,such as "automobiles" and "signs" with "modern" symbol images,as "industrialization",The "modern" code is repeated and combined in a large area of the screen,and the anxiety and anxiety caused by the congestion of "cars" have become a kind of ideological portrayal of imagery.In terms of the basic elements（cars）that make up the picture,after the car is simplified,the elements of the picture are extremely simplified.This processing method implies the highly generalized thinking mode of "macro image" in traditional Chinese flower and bird painting.It benefits from the minimalist thinking of Bada Shanren;in terms of picture composition,this study attempts to reversely deconstruct the “minimalist”thinking of Bada Shanren in practice,and repeatedly superimpose the image of the modern code “car” In the picture,it forms a compositional form of simplicity and complexity,and its partial authenticity and overall absurdity form an ideological inheritance relationship with Bada Shanren.