Research On Zhilan QingGong Figure Of Bada Shanren And Related Issues

Although Bada Shanren’s "Zhilan Qing" is not a well-known "famous painting" among the eight paintings,this work is full of fireworks and fresh style,and it is another window for future generations to know Bada Shanren and his paintings.,it is our precious legacy from the history of painting.Most of the Bada Shanren researchers at home and abroad choose the representative works of the eight major artistic maturity stages to conduct case studies on their works,and the "Zhilan Qing Confession" that this article intends to study is just five years after the Bada Shanren abandoned the monks and returned to the secular world and returned to Nanchang.Works from the period of "a mountain donkey".At this time,he recovered from his illness and resumed his social activities with poets,monks and painters.He gradually integrated into daily social life,and his thoughts were full of hope for future life.From the perspective of the eight major events of returning to secular life,this paper can see that the content of the picture,the time and place of drawing,and the inscription of "Zhilan Qing Su Tu" contain a lot of information about the generation and use of images: Shangyuan Festival is the generation of "Zhi Lan Qing Su Tu".and the background of the seasons used;the image representation of "Zhilanqing Tutu" is not only about orchid and zhi,but also utensils and the Shangyuan Festival;the special composition of its half-scene style further highlights the three main subjects of calligraphy,painting and printing.The Ganoderma lucidum in "Zhilanqing Confession" hints at the birth of Taoist thought of the Bada Shanren.The thesis discusses the painting style and social interaction of the Bada by taking the "Zhilanqing Contribution to the Picture" of the Bada as the point of reference and the research object.At the same time,this picture is placed in the history of Chinese painting and compared with Xu Wei’s brush and ink tradition and Qi Baishi’s inheritance of the eight styles,and combined with the background of the times and social trends of thought to explore the causes of its artistic language inheritance,aesthetic thinking,religious belief and other aspects.Focusing on the relationship between the eight major calligraphy and painting works and the society during the changing period,especially the scholar class,reveals the special significance of "Zhilan Qing Confucius" in the current situation.Put the image back into the visual context and historical and cultural context of its origin to recognize,understand and discuss,so as to increase a deeper understanding of Bada Shanren and his paintings.