"Image" And "Like"-A Study On The Expression Of Imagery In Chinese Painting

In the process of its development,Chinese painting has a unique aesthetics of painting modeling,that is,the expression of "image" and "like" thinking.Here,"image" represents the origin of artistic thought and cultural spirit.It is a phenomenon and image based on the existence of objective objects.This phenomenon and image are reprocessed through subjective feelings to form new elements and images new image;And "like" means "portrait" and "similarity",and adding "people" means images,portraits,statues,etc.made according to people."Image" is a kind of visual art experience in artistic creation.It is a realism constructed based on the original appearance of the objective object,which reflects the authenticity of the details and the essence of the objective object."Meaning" and "Image" generate the concept of imagery,which includes the abstraction of the spirit of all things in the world and the summary of the way of thinking,and endows the objective objects with expressive characteristics,so that the objective objects can realize their own aesthetic value.Imagery summarizes the inner essence and spirit of the objective image,as well as the overall style of the objective image,through induction and summarization.The formation of imagery is the result of the parallel development and co-breeding of "meaning" and "image",and it is materialized through spiritual processing.In traditional Chinese culture,viewing objects and taking images is regarded as a practical way for human beings to understand nature.They can fully understand the natural laws of all things in the universe through standing images,and they can not overemphasize their own point of view through objective objects to illustrate the complacency and forgetfulness.In the imagery of formal language,the imagery of pen and ink form,the imagery of picture form,and the aspects of form and spirit are studied.In the study of the image outside the image,grasp the artistic conception,the mutual generation of the virtual and the real,and the rhythm.Qi Baishi’s imagery concept of "similarity and dissimilarity" in his paintings,and Wu Changshuo’s spirit of brush and ink have strong personal subjective emotions.Through the combination of traditional culture and modern culture,the blending of "object image" and "mind image",with "image" feeling "meaning",it has far-reaching significance to explore the expression of Chinese painting imagery.