The Appreciation Of The Appreciation Of Apparel In Mongolian Women 's Costume In The Creation

Mongolia is an ethnic minority in northern China with a long history. Many fields such as their material, spiritual and cultural heritages are worthy to study for academics. An ethnic costume often not only has practical function as clothes, but also plays an important role in showing its culture, aesthetics and ethnic belief. Mongolian costume also meets these standards. The main target of the thesis is to study Mongolian young brides’attires in weddings. The humanistic value, economic value and aesthetic value of Mongolian costume are fully demonstrated in brides’attires. Meanwhile, because my major research is "Theory on applications of Chinese minority art creation", it is the embodiment of minority research leading to creative work in the field of application of aesthetic characteristics of ethnic costume into painting by taking Mongolian female’s attires as the object of research and material for painting. The paper is the recognition of culture of ethnic costume and also the in-depth academic discussion of the creative art works which takes ethnic costume as artistic materials.There are many scholars at home and abroad have studied Mongolian apparel features, customs and cultural connotation of different tribes. This paper selects a relatively unique perspective, which is through many concepts in art field, such as "constitution", "color" and "material", combines with specific contents like morphological structure, color, material composition of Mongolian female attires and manifest the relations between ethnic art works and their artistic expression ways. Over many years, I have explored the application of Mongolian female attires on fine brushwork portrait. Therefore, I’ve gained a certain amount of theoretical knowledge and practical experience. In the process of writing the paper and through several field researches, a large number of first-hand information about the Mongolian costumes have been attained. As well, the social functions of Mongolian costume culture in its history, customs, ceremonial occasions, tribal characteristics and craftsmanship process are well clarified. These clarifications provide hard foundation for the next creation of ethnic painting and following research.This thesis explains "application of aesthetic features of Mongolian female attires in fine brushwork portrait" in three angles. The first part focuses on the aesthetic features of Mongolian female attires. It elaborates their aesthetic features with the characters of "symmetrical decoration, simple & complexity and the symbolic colors" from model, color and material three aspects in Erdos and Buryat two tribes. The second part focuses on the application of Mongolian female attires in the creation of fine brushwork portraits. It particularly explains three areas, namely the relations between model drawing and shaping, colors expression & emotion design and quality feeling of material and the exploration of language. They are the enlightenment of structural styles of Mongolian female attires on the drawing and formality of art creation, the positive impact of color variations of Mongolian female attires on colors of painting creation and the significance of material composition of Mongolian female attires on the material technique and performance style of painting creation.Through the argument and analysis on these three aspects, we conclude that Mongolian women’s attire doesn’t only have practical function as clothes or decoration. In the traditional etiquette, it is a symbol of status hierarcfchy. In religion, it is the carrier of spiritual idea. In social activities, it is the symbol of specific status. Meanwhile, it is the expressive creative theme in artistic creation and it has the aesthetic function of igniting artistic thinking, forming the language of painting.