| This paper chiefly study the aesthetic peculiarity of the recluses in Wei and Jin dynasties,which consists of four chapters and 24 sections, about 140,000 words.The foreword did some preparative research work Primarily.First,introduced the background of this research,included the basic situation of traditional recluses and recluses in Wei and Jin dynasties,the relationship of recluses in Wei and Jin dynasties and aesthetics;Second was the research sitution of recluses in Wei and Jin dynasties,discribed and analysed the research sitution of traditional recluses and recluses in Wei and Jin dynasties in nowday. The author considered:now the research on traditional recluses had three features:mainly finished by China scholars,focused on 1990 to now, diversification of the penetrated point. The aesthetic research on recluses in Wei and Jin dynasties also had three features:scatter,part and individual.Third,the value of the aesthetic research on recluses in Wei and Jin dynasties.The author considered:this research can affected the research on China's traditional reclusion history, the Wei and Jin dynasties history,the aesthetics of Wei and Jin dynasties and ancient China aesthetics. Finally, the author pointed out the basic way and the method that used in the paper.The first chapter did some basic research work Primarily.First,analysed the word "recluse"and some other concerned words.Second,discussed the different between "recluse" and "intellectual" from two aespects as "learn" and "tao",defined recluses as "special intellectual";Third, inspected those different title of recluse,analysed the pros and cons of the diversity of recluses' title;Fourth,based on other scholars' opinion,divided recluse into three types:body and spirit both in seclusion condition,body in seclusion but spirit didn't,spirit in seclusion but body didn't, then differentiated the good and the bad of those three types;Fifth,analysed the reason why reclusion culture can existed from three aspects:chlture,politics and economy.The author considered:cultural reason was China's traditional Tao conception,ethics conception and middlebrow conception.Politic reason was the respect polic used by ancient dominitors.Economic reason was the dominition of natural ecnomy in ancient China; Sixth:the author considered:there were two questions should be pay attention to in the process of research:value the characteristic of reclusion culture in different times,gave an objective judge for the ststus and significance of reslusion culture in China's traditional culture.The second chapter chiefly dicsuss the characteristic of Wei and Jin dynasties from the angle of everyday life aesthetics.This chapter include two part:personality aesthetics and everyday life aesthetics. Only when two of them combined,there was a complete "everyday life aesthetics".First is the beauty of recluse' personality of Wei and Jin dynasties which consist of two part:the beauty of knowledge and morality.The author considered:the recluse of Wei and Jin dynasties win people' respect because of their knowledge,insight for affairs of human life,the insist on morality standard;Second was the aesthetic characteristic of reclusion life. The author considered:disintersted although lack of materials,artistic in plain life,pursue freedom under feudality:these three factors make the everyday life of recluse of Wei and Jin dynasties more bordered on aesthetic life. Disintersted of reclusion life showed on three aspects:material life,everyday work,communication.the reason of this Disintersted was the impact of buddhism and taoist school on recluses of Wei and Jin dynasties was more profound than other times,the recluses of Wei and Jin dynasties were inherit the ancient reclusion tradition consciously. Artistic of reclusion life showed on two aspects:enjoy themselves with qin and whiff.Third is the specialty of recluse of Wei and Jin dynasties in everyday life aesthetic which including two aspects:absence of the recluse' beauty of Wei and Jin dynasties,extreme pursue for freedom.The third chapter chiefly dicsuss the characteristic of recluse of Wei and Jin dynasties from the angle of nature aesthetics. The author considered:when secluseS arise,they maked a tight connection with nature, this connection became more and more apt to aesthetic along with times and the development of recluse in Wei and Jin dynasties. Depended on their special advantagments, they involved in and maked some contribution to the development of nature aesthetics of Wei and Jin dynasties. First is the relationship between recluses and nature. The author considered:as a basic question,this relationship can decide the relationship between recluses and nature aesthetics in Wei and Jin dynasties. There is a tight connection between recluse and nature,the original recluses on history and some famous ancient recluse like Bo Yi lived in mountain forest,Zhou Ti and Tao School which played an inportant part in reclusion culture both pay a lot of attentain on nature.Second was the advantagement of recluse of wei and Jin dynasties in nature aesthetics.The author considered:in nature aesthetics,compared to intellect in the same age and recluses in other times,recluses of Wei and Jin dynasties have three advantagements:the influence of immortal Tao School on mountain forest reclusion,free life style and more strong subjective require on nature aesthetics.Third was the way of nature aesthetics:the theory that man is an integral part of nature. The author considered:in the nature aesthetics of Wei and Jin dynasties, that theory reflected on three point:travel but forget back,close relationship between human and animal,nature garden.Fourth was the contribution that the recluses of Wei and Jin dynasties make to nature aesthetics.The contribution also reflected on three point:bring optimistic effect on the vigorous grow on nature aesthetics of Wei and Jin dynasties by means of pratise way,rich the meanings of nature aesthetics,help to bring about the emergence of the nature aesthetics notion that plain is beauty by means of idyll.The third chapter chiefly dicsuss the characteristic of recluse of Wei and Jin dynasties from the angle of art aesthetics. The author considered:in the aera of art aesthetics,recluses both is sponser and object.Frist is the work and peculiarlity of recluse' calligraphy of Wei and Jin dynasties. The author considered:most of the recluses of Wei and Jin dynasties good at running hand and grass stylejudgers usually judge their calligraphy work as middle level.The phenomenon that most of those recluses good at running hand and grass style illuminated the artistic quality and purse of freedom of recluse of Wei and Jin dynasties.In case study,Tao Hongjing's peculiarlity and achievement that he obtained in calligraphy aera both connected with his figure as a recluse;Second is the work and peculiarlity of recluse'painting of Wei and Jin dynasties. The author considered:from their recluse painting we can discovered the awaken of their self-awareness,from their ancient sages painting we can discovered the acception about the notion that beauty and good should be unified which came from the Confucian School.In case study,as one of the frist,special painter and the one who bring out the notion that the function of langscape is spirit happiness,Zong Bing benefit a lot from his figure as a recluse. Third was the work and peculiarity of recluse' poem of Wei and Jin dynasties. The author considered: there were two aesthetic peculiarlity in recluse'poem:brilliance and vivid poem image, aesthetic feeling make up of multilevel and singleness.In case study,Tao Yuanming also benefit a lot from his recluse figure on his poems'peculiarlity which are detach of stature,beauty of nature,happiness of life.Foufth was the analysis on aesthetic peculiarlity about recluse image that emerged in poems that produced by unrecluse poet in Wei and Jin dynasties. The author considered:there were two aesthetic peculiarlity about recluse image in poems in Wei and Jin dynasties:taste about landscape and music.the meaning that recluse image has mainly apted to Tao School.The epilogue summarized the whole paper:epurated the collectivity aesthetic peculiarlity about recluses of Wei and Jin dynasties,discussed the position that aesthetic possess in reclusion life and personality,elucidated the influence on China traditional aesthetic caused by recluses of Wei and Jin dynasties.
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