Gazing At Cultural Theatrical Makeup Of "Social Transformation Of Individuals "

As "Social transformation of individuals "in Chinese modem society, Few person got the same praise and criticism and the same good fame and bad reputation like Ku-HongMing and LuXun when they were alive and dead Since the 20th century whether in Chinese mainland or abroad, Leaving all sorts of Ku-HongMing's figure and all kinds of LuXun's image to their case studies in material level.Although the case study of Ku-HongMing and LuXun appear constantly At present, the study of Ku-HongMing exist misreading and certain prejudice in many places, especially lacking of culture Ku-HongMing research level of detail analysis.About LuXun's research waiting for new academic growth.About both these ideological and cultural position at two levels of state culture characters, special comparative research is still rarely.Based on this, this paper selects Ku-HongMing and LuXun,the two modern ideological and cultural field polarity between study of ideological and cultural characters. Ku-HongMing and LuXun on the academic research on the discussion, the general rice-for-crime based on their text and detailed interpretation on the premise of two people. Through comparison the cultural identity ofthem and study their formation mechanism, deeping into cultural texture level, gazing at the two cultural theatrical makeup of' weird to" no class " Ku-HongMing and " stray in landless " LuXun.This paper argues that, as the Chinese modem ideological and cultural field most conservative and the most radical two polar characters, Ku-HongMing and LuXun's cultural choices in the two polar Sculpture clearly above their cultural identity formed in their life course and Writing career. They engraved with reverse's cultural identity as" complementary contemporaries", fully showing the Chinese modem ideology and culture of Chinese characters of cultural transformation transition age of culture construction of anxiety and thinking. Because identity is comprehensive based on self identity and other recognition through cultural gaze in the cultural communication process .We can almost see the whole Chinese modem cultural field in its totality from GuHongMing and LuXun's cultural communication,.In this article,through the two people in cultural communication, "gazing" and "being stared" in cultural communication, separately from the two aspect of subject identity and other recognition, analyse Polar cultural identity of the two most conservative and most radical Ideological and cultural characters.First, from Ku-HongMing and LuXun's polar culture choice perspective, Through their gazing at "body, home, countries gaze,Analysis " Honour the king and worship of Confucius, Publicize Confucianism and Civilization expansion" of Ku-HongMing's the most conservative cultural identity,and LuXun" Individual liberation,Criticizing Confucius, Negative Confucian civilization and the bringing principle".Secondly,combining twopeopleabroad,mainly from reception Ku-HongMing, LuXun in Germany's culture transmission and culture utilizes,Namely "other recognition" to Ku-HongMing and LuXun's,perspective Ku-HongMing "not class" and LuXun's " landless".Third, In the synchronic and diachronic coordinates , In the west, Japan and China traditional prism, In the world of modernization and the modern trend, In Chinese modem social conservative with radical in the thoughts of agitate, From external looking for the two level cultural identity formation reasons.Fourth, along with Ku-HongMing and LuXun's individual journey, From their Cultural psychological elements such as personality, Mode of thinking, Emotional experience,Analyzing Ku-HongMing and LuXun poles the internal mechanism of cultural identity.This article gazing at two cultural theatrical makeup of "Social transformation of individuals " from the communication theory, visual culture theory, using the method of comparative poeticsIn conservative and radical in two-dimensional identity agitate. with red cultural theatrical makeup in comedy, Ku-HongMing staged tragic fate of himself and Chinese traditional Confucian culture in the early 20th century.LuXun walked in the modern transition era of the night with black cultural theatrical makeup. Between the red and black cultural theatrical makeup,changing gradually colorful picture cultural identity of "Social transformation of individuals" in Chinese modem society, Writing fully vicissitudes destiny transition age of China's, indicating the trend of Chinese cultural modernization.