Walk In The Spirit Of Political And Literary

For a long time, the academic study of Xia Yan's creative work since 1930, he was a strict realist playwright's in conclusion; and he was into the literary world seems to be the feeling after a firm Marxist-revolutionary writers and artists. That this is the true history of it? Xia Yan from the overall view of his life? Whether from the beginning of Xia Yan, a realist, a revolutionary writers and artists? If not, how he changes, it is hard and fast changes in the future?To study the facts, we must be placed in a specific era of Xia Yan, from the relationship between him and start to explore the ideological contradictions of his era of reason, contradictory manifestations and contradictions between the various aspects of transformation, the only way in order to truly enter Xia Yan, also a number of differences can be irreconcilable even united in an overall academic point of view of Xia Yan. Xia Yan examined the form of rich culture and social practice to think of his literary concept, not the complete text as a whole closed self-sufficient, but will itself and the era of political, economic, and other multi-cultural atmosphere with space and time into the production Investigation in to the text, the text will be placed in his social history and culture of China into the overall context, placed into the literary environment was variegated, the revaluation of its historical value.This addition to the introduction and conclusion, is divided into four parts to explore the political and literary Xia Yan difficult adjustment between the picture, in-depth analysis of the complexity of his contradictory unity of the soul, presenting a vivid, three-dimensional Xia Yan. The major contents include:the first part is the overall Xia Yan, mainly through the multiple social thought, literary theory to explore two dollars a contradictory unity of Xia Yan. May Fourth Movement was an important period of Xia Yan want to change, this period not only established his democratic ideas, but also the formation of the embryonic form of Marxist ideology. The humanitarian spirit is quietly infiltrated Xia Yan's blood, although a long time thereafter, Xia Yan into bloody social movements, but Humanitarian Downs in his heart of hearts, were explicitly or implicitly appeared in his works.The performance of literary theory in the 30's utility as a strong political advocate literature and art should serve politics, to look toward the social reality, is a loyal supporter of realism, while studying in Japan during the performance of severity described in the text to heavy emotion, community aware of personal feelings heavier weight. During this period weakened the text description of external events, full of subjectivity and lyricism, his own bare life and state of mind, emotion and deep and refined blazing stirring, romantic text analysis of mind and self-naked to show it. Xia Yan returning from Japan to participate in Leftist literature seems to be no changes in thinking through the struggle, very quickly abandoned the beautiful romantic literary style, into a tool for literary theory, as a creator of realistic, which need to focus on his This shift and the reasons for the change.The second part is the confrontation and reconstruction-film under the ideology influence. Waves in the main from the historical choice of the times, the political tool of the clamp and talk to the strategic adjustment of Authenticity, holed up with the breakthrough-the film (adapted) theory and practice to focus on three aspects of Xia Yan film theory, film script writing and The artistic style. Xia Yan, the choice of words on the film is not an abstract concept, but dynamic and open, a certain sense, also filled with deep contradictions. On the one hand, Xia Yan adhere to the ideology of the film features the ideological core of class analysis, concerns exist in reality sharp differences between rich and poor and class antagonism, reflecting real life, revealing the nature of society, on the other hand, from the revolutionary standpoint, insist the basic principles of realism and its re-interpretation. He stressed the importance of the correct ideas and methods, describe and reflect the objective real life, profoundly reveals the objective laws of social development, to be his true political and literary communication bridge. And authenticity of the tools under the guidance of literary theory, Xia Yan created a lot of film scripts, these films were left with the choice of theme movies, at the end of treatment methods are different:there are only consistent division. Xia Yan in the long-term adaptation of artistic practice to the unique creative spirit, and adapted a number of works of high artistic value, in the artistic re-creation, not only faithfully reproduce the original's inner spirit, thought, and reflects the own unique personality and style:concise deep, distant mood.The third part is the mission and Variation-Drama in the era. Mainly to the path of realism, war drama, "Grass End of the World" and is critical to comprehensive analysis of three areas in the drama created unique Xia Yan. Despite the enthusiasm for politics and the pursuit of faith, intent on creating their own areas of involvement in political life, but Xia Yan in the Drama did not simply a formula of political illustration, but the maturity and clarity in their own creative personality, politics and art in his unique understanding of the relationship between the political opening of the rigid shell. It is this pursuit of inner truth, so Xia Yan's play structure is a profound change: the focus turned to dramatic conflict inner world of characters, played down the external conflict, internal conflict has increased. From the "Shanghai Eaves" to the "Grass of the World", Xia Yan hunt down the true and real love, the courage to face real life and true to life and performance of the former is to face the real reality, the latter is required to issue "true voice", showing people's true feelings, to achieve his aesthetic aspirations. "Grass End of the World" are subjected to severe criticism from the party. "Fang" drama presented with the "speech" to promote the free direction of literary and artistic creation, nature is outdated. Xia Yan in the "Grass of the World" in the current stage of artistic exploration and revolutionary objectives and tasks of integration that arises out of the question, as a firm proletarian revolutionaries, the revolution can not be completed when the task of art, the communist party principle it must consciously explore the termination of his art. "Fang" drama of what happens to also further strengthen the publicity of Xia Yan for their own political identity as a cognitive, and vigilant work of the political utility specification.The fourth part is the wandering and choice. Mainly from the exploration of political art, nationalization of the road to explore two aspects Xia Yan in a unique contribution to the history of Chinese literature. He expressed strategically ideological tendencies in the film, combined with commercial, community-oriented features, in a reasonable range for the appropriate type of sense must attack penetration, to survive in the cracks and development. Xia Yan's Drama is both an expression of the distinctive national style, the national spirit, but also contains the call for democracy, respect for human beings, showing the pursuit of freedom is very distinctive modernity, nationality and the close fit of modernity, so that Xia Yan played a unique role in history of modern Chinese drama,he was the one and had a unique meanging.Xia Yan always tightly embrace the pulse of the times, and always concerned about the destiny of the nation, the era of the political situation, the underlying situation and the survival of people suffering severe fate, their feelings, struggle, and call reports, filled Xia Yan's vision, mind and tip of the brush so that he would never simply write their own personal joys and sorrows, and his plays, always carries the flavor of the times, with the profound changes in real power. He used his artistic personality characteristics of the rich, from the life by, in essence, the true sense, will organically blend the two together, so that his work presents a unique artistic style, thus constitutes a Xiayan Wen School have creative, unique artistic tension. Xia Yan's literary and artistic creation will be a beyond history, something to attract overloading our times, this is the glow in the spirit of the kind of rational truth-seeking and political era in the art will be no one can avoid such a major theme with that age people a sense of real life specific to combine the perfect style. Xia Yan's success in the art, the playwright will have for us today, how to face the audience, market-oriented, and to shoulder the times, history, society and culture have given the heavy responsibility and a profound inspiration.