On The Evolution Of The Film Narrative Mode

The article first from the point of view of synchrony which depends on the Semiology reveals the series of the component parts which the film narration relys on, then from the viewpoint of diachrony, analyses the film narration evolution and lists the emergllg models in the history. It focus on the classical narrative principle on the background of American Hollywood classical genres, the evolution of the narrative models of the artistic film on the base of modernism art, and the narrative revolution developing from the postmodernism, meanwhile, investigates the transformation and prespect of the models in Chian during the late ninty years.It is characteristic of the article, is what been recognized on the basis of the theoretical. The article tries to link the individual and the generalization intensely and avoid being immersed in the two extremity of abstraction and specification.