A Study On Color Of Pre-Qin

This "color" in the dissertation refers to its understanding of color of a specific ethnic group in the environmental presents, including the type, intensity and emotional perception, and so on. The Color of Pre-Qin is the visual impression of a particular historical period. Based on the literature and research, the dissertation tries to build vision system about the color of Pre-Qin.The research ideas of this project start with outside of the language within the meaning of color words:the color of today's colored flora and fauna, some non-ferrous minerals which existed in Pre-Qin, in general will not change; its the coloring and dyeing techniques of Pre-Qin relics handed down and unearthed, are revealed mostly by the use of modern technology and Kao Gong Ji research, and the color can be dyed. We can use these categories one by one chromatography real measurement, drawn internationally accepted CIE LAB and HSB color record values of standards and science, the same type of convergence of values, to find a specific color name in the CIE LAB color wheel and the position of coordinate system, and obtained with the color name corresponding actual color words means, as well as other colors in this color words and words in different points, so as to solve the difficult issues and differences of opinion about the color words of Pre-Qin and provide an objective standard and the conclusions that can be verified.There are black, white, green, red and yellow in Pre-Qin. as our ancestors were to focus on its color properties when naming things, so the actual name of each color included varying amounts of color words. The first chapter of this dissertation, makes a systematic color terms of Pre-Qin investigation and clean-up. We refer to ancient Chinese and modern scholars involved in studies of color words, and first find all of the color word in Shuo Wen Jie Zi, Er Ya, "Guang Ya" and "Yu Pian", then retrieve its pre-Qin the usefulness of cases in the literature one by one. there are reservations, if any, delete it. In this way, we get 127 color words. According to semantic features and the possibility of real evidence, we choose some key words as a test object of this paper:qing, cang, Iv, hei, dan, hong, chi, xun, quan, zi, huang, bai, su, hei and xuan. To highlight that, it is not limited to these tone color words. The combinations of related words in Pre-Qin literature, such as qing yu, cang tian, qing yu, were also examined.The five colors in Pre-Qin:green, red, yellow, white and black, in fact include the "extended colored" and "narrow colored". Extended colored people are concerned about is the myriad colors of the five division. Narrow colored refers to the five-Stern.The second to the sixth chapter study on extended colored respectively, and Chapter seven studies on "narrow five-color". Chapter eight is "hue of Pre-Qin" because hue is a very important factor must be taken into account in the color perception and use of Pre-Qin. Chapter nine studies colored relations. Finally is the rest of the conclusion.Chapter two researches about qing of Pre-Qin. By measuring pigment green, blue and green dyed grass, plant leaf, and Hetian blue jade, sky blue, fire blue, the blue of green fly, we can obtain the following conclusions:the characteristics of green light and shade of the indicators in that, the center value is 50;"Green" is between 7-80, characterized tend to dim, which is prudent not play in color. "qing" mainly stands blue and green close to blue. Clarifying the relationship between the qing and green, recognizing that only part of the Green, we find the distance into the film when the ancients that the qing, while single leaf closer look, it is usually termed the green. The dissertation also points out that qing has nothing to do with black,.厥土青黎in Shang Shu·Yu Gong should be understood as "the black soil with light green".Chapter three researches about chi of Pre-Qin. By measuring the fire chi, cinnabar chi, jade chi, madder dyed chi, the chi of fu, the chi of leopard, the chi of tang, the chi of firefox, the chi of horse, we can obtain the following conclusions:the characteristics of chi is of high purity (58%-94%), low brightness, occupying 29-358°(color wheel) of the warm, mainly to large red orange part (not including zi). "zi" is much concerned about the ancient colors,.Xunzi·Wangzhi:" Chinese eastern sea has zi, qu, fish, salt, salt."Yang jing note:"zi is purple shell." Wang yinzhi argued that the zi qu is the error of zi xi, because Chinese eastern sea were stained with zi xi that can Lithospermum clothing, the same as fish and salt. We research zi shell of ancient "East Sea" region, weighing the semantic literature, and demonstrates the Duke Huan of Qi served as the zi-dyed by zi shell. "Red" is a fabric dyeing. Because of the lack of material, we could not confirm the staining methods and results. We research literatures and think that "红" and "荭" is the same in Pre-Qin, and study "荭" this plant said by the ancients which is common waterside plant polygonum, so "red" represents a "Polygonum" in spikes characterized by reddish, pink.Chapter four researches about yellow of Pre-Qin. Through the measurement to the color yellow, the fabric dyed yellow, jade yellow, sunset yellow, brown grass yellow, beam yellow, bird yellow, daisy yellow, gold (bronze)yellow, cattle yellow, furnace fire yellow, we can obtain the following conclusions:the feature of yellow is high brightness (56-96, in the central value of 50 or less), high purity (up to 95%) of color, "yellow" occupied the 32-66°of the hue circle, ring mainly yellow hue as the core color, the clothes of the Queen in Zhou Li are six, one of which is "Ju Yi." History notes explaining "Ju Yi" as yellow, but on the "Ju Yi," it is debated that the color of yellow daisy yellow, or mulberry leaf birth. This paper argues that the clothes should be the queen Stern. The color yellow should be yellow with red, with colors similar to chrysanthemum. "Ju Yi", the name should come from chrysanthemum (Lab:L*68 a* 22 b*68 HSB:38°89% 87%). According to actual situation In Pre-Qin, we choose the better ancient Note.Chapter five and six research about white and black of Pre-Qin. Through the measurement by examining the relevant literature and objects, we can obtain the following conclusions:the generalized black, including black and other colors in the dark, in the top part of CIE Lab model; generalized white, including white mixed with other colors in the bottom part of the CIE Lab model."White" and "su" were used to represent the white silk of Pre-Qin."Su" is not dyed silk color while "white" is a mirage with a white mineral pigments such as ash, aluminum sulfide, sericite and other processing of the white. Although all white, visually, "white" look heavy and "su" seems simple but elegant. "Black" and "xuan" meaning similar to the ancient people who always said "sky xuan" rather than "sky dark" because the "xuan" itself has the mysterious meaning in it,the same with night black's features. And the said of "five colors and the elements" was popular, the black corresponding to water, so color xuan was described the day. The xuan of"玄衣纁裳" refers specifically to the black in the pan-red staining.In accordance with the ancient dyeing process, xuan was made of purple silk and black colors mixed, zhu and purple by purple silk and black blending together. Purple is a mixture of crimson and black, which was repeated with a red dyed black, unlike the direct dyed black. Therefore,"xuan" refers specifically to clothing color when the dress was with black and red color.Chapter seven esearch about five stern color of Pre-Qin. "Sternfive" is a narrow five-color. Stern is in line with standard staining in Pre-Qin, which can accurately distinguish status of people by wearing the color, in addition to that the complicated (rape) color. The ancients have a stain on the dress to the standard control methods, in order to dress the color line with the provisions of etiquette. According research, the ancient bird of good omen in common-pheasant-feather colored was considered as the "five stern", the stained standard. Examining the Pre-Qin dyeing process, dyeing out of the stable and high purity of the color fits colored pheasant feathers. The yellow in it is the concentration of red with yellow (Lab:L*68 a*22 b*68 HSB:38°89% 87%), blue is indigo (Lab:L*25 a*20 b*-58 HSB:224°89% 58%), red is dark red (Lab:L*33 a*52 b*31 HSB:355°85% 60%), white is pure white (Lab:L* 100 a*0 b*0 HSB:0°0% 100%), black is black paint (Lab:L*0 a*0 b*0 HSB:0°0% 0%).Chapter eight research about the hue of Pre-Qin. Since Pre-Qin, people pay attention not only to color, but also hue. Jade, lacquer, silk, porcelain, which can be said to embody the best qualities of Chinese culture, are full of color artifacts. With the color of objects in Pre-Qin was given the symbolic significance of the noble while the corresponding stone, wood, cloth, pottery, the corresponding base for the coarse, shallow representative. Similar differences in color artifacts of their own to determine the identity of the important indicators of hierarchy. Bright color of the material was obtained mainly through the stress and improve processes to achieve the precision and complexity in Pre-Qin.Chapter nine research about relations between five colors in Pre-Qin. Broad blue, red, yellow express the color difference between hue, broad black, white.Brightness of color expresses a neglected relationship. Five colors in Pre-Qin were to summarize the general color of the naming system which was similar to the color of different types of visual experience in the collection. In the five color system, on the one hand, the name of each isolated color has a meaning of things, on the other hand, these isolated things and their names are colored the color under another system, has been given only the meaning of five colors. Green, red, yellow, white, black, not from the concept but intuition, among them isolated from each other when they were formed, and therefore gave up the possibility of mixing between colors. Five elements proposed (g) with students thinking in the late Warring States, not only contacted the heavens and the earth, but also orderly conduct of the association of blue, red, yellow, white, black. Five narrow colors are colored palette of high purity (respectively 89%,85%,89%,100%,100%), indicating that in the ancient ceremonial occasions tend to use high purity color; in the hue ring, stern, green at 224°, chi at 355°, yellow at 38°, in the hue circle of different locations. From this point of view, the ancient Stern was strictly distinguished between the hue and mutually isolated. For many scholars believe that ancient colored in green, red, yellow equivalent to the modern three primary colors, the paper by comparing the measured data thinks that the stern of pre-Qin, green, red, yellow, although the similarities between modern three primary colors, but not the same:RGB brightness 100%, while five Stern's green, red, yellow brightness is 58%, respectively,60%,87%, only the brightness of yellow (87%) high, blue, red is in the 50-60% between the middle-out. They are used in a serious, solemn ceremonial occasions stable color; RGB color mixing caused to the basic color, Qin five Stern's green, red, yellow in the ancient practice is not used to the process as the basic color mixing. This chapter also discusses the relationship between the colored and the elements, colored the relationship between the ancients used the five elements of its systematic, the relationship between the colored and the elements gradually in the course of history associated with the corresponding. We does not find qing colored in Oracle because qing is still five category that requires a coordination system formed in the late Spring and Autumn.The addition of qing made the four color categories in Shang period (quiet, red, yellow, white) into five color categories. However, this significant color category, qing assumed the maximum position on the color wheel, which expressed from a wide range of blue to green color, and had said "wood" color characteristics of the condition. Therefore, the relative of black and white, became into a single word that stands for dark color.Finally is conclusion and epilogue.The epilogue has two topics. First is a special use of the ancient lacquer red, black, underlying causes of the ancient use of color factors in the decision to use color, from visual psychology, lacquer material, social customs.in order to reveal cultural connotation and aesthetic significance of black and red in Pre-Qin period. Based on Zhou Li·Kao Gong Ji·Hua Ji, the second theme discusses color specification by the government. In the overall mix of colors, qing and white mixed while qing was major; red and black mixed, mainly red; black and yellow mixed, mainly black. The local pattern, with color graphics as needed, did not have primary and secondary points. And color had always maintained an independent, not mixed, but remained side by side.